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Handel: Jephtha

Handel: Jephtha

$11.98 – $24.98Price range: $11.98 through $24.98

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Catalog No: FR-755
Artists: Jane Glover, Music of the Baroque Chorus and Orchestra
Composers: George Frideric Handel
Release Year: 2024-10-18
Available Formats: CD, Downloads
UPC/EAN: 030911175528
DSD downloads: NativeDSD.com
Download The Booklet

Music of the Baroque Chorus & Orchestra
Dame Jane Glover, conductor

The FIRST AMERICAN RECORDING of the great baroque composer GEORGE FRIDERIC HANDEL’s final masterpiece JEPHTHA (HWV 70) with libretto by THOMAS MORELL!

REFERENCE RECORDINGS® proudly presents great baroque composer George Frideric Handel’s final masterpiece: Jephtha, HWV 70! Recorded live in September 2022 by multi-GRAMMY®-award winning engineer Christopher Willis, conducted by Dame Jane Glover, and performed by Chicago-based Music of the Baroque Chorus & Orchestra. This marks the first American commercial recording of Jephtha, Handel’s most sublime, emotionally intense work and an absolutely gorgeous baroque masterpiece.

Now in its fifth decade, Music of the Baroque is one of the leading professional ensembles in America devoted to 17th and 18th-century works. The Chicago Sun-Times writes, “Lyric Opera of Chicago and the Chicago Symphony Orchestra may be the big guys on the local classical music scene, but in terms of sheer quality of performance… Music of the Baroque inhabits the same stratosphere.”

Acclaimed British conductor Jane Glover, named Dame Commander of the Order of the British Empire in the 2021 New Year’s Honours, has been Music of the Baroque’s music director since 2002. Jane Glover has conducted all the major symphony and chamber orchestras in Britain, as well as orchestras in Europe, the United States, Asia, and Australia. She has worked with the period­ instrument orchestras Philharmonia Baroque and the Handel & Haydn Society. A Mozart specialist, she has conducted all the Mozart operas all over the world regularly, and her core operatic repertoire also includes Monteverdi, Handel, and Britten.

Proudly featuring these STELLAR SOLOISTS:
David Portillo, tenor (Jephtha)
Lauren Snouffer, soprano (Iphis)
Clara Osowski, mezzo­-soprano (Storgè)
Aryeh Nussbaum Cohen, countertenor (Hamor)
Neal Davies, bass­-baritone (Zebul)
Katelyn Lee, soprano (Angel)

Extra notes

2 CD Set with Detailed Liner Notes and Libretto

Also Available in Standard and High Resolution Digital Stereo; Apple Spatial®/Atmos®; Streaming

Recorded live in September 2022 by multi­-GRAMMY®­-award winning engineer CHRISTOPHER WILLIS.

On This Recording

George Frideric Handel: Jephtha, HWV 70

  1. 1. Overture
  2. 2. It must be so
  3. 3. Pour forth no more
  4. 4. No more to Ammon's god and king
  5. 5. But Jephtha comes, kind heaven
  6. 6. Virtue my soul shall stil embrace
  7. 7. 'Twill be a painful separation
  8. 8. In gentle murmurs will I mourn
  9. 9. Happy this embassy
  10. 10. Dull delay in piercing anguish
  11. 11. Ill suits the voice of love
  12. 12. Take the heard you fondly gave
  13. 13. I go, my soul
  14. 14. These labours past
  15. 15. What mean these doubtful fancies
  16. 16. If Lord, sustained
  17. 17. Tis said, Attend ye Chiefs
  18. 18. O God behold our sore distress
  19. 19. Some dire event hangs o'er our heads
  20. 20. Scenes of horror
  21. 21. Say, my dear mother
  22. 22. The smiling dawn of happy days
  23. 23. Such, Jephtha, was the haughty king's reply
  24. 24. When his loud voice in thunder spake
  25. 25. Glad tidings of great joy
  26. 27. Up the dreadful steep ascending
  27. 28. 'Tis well, haste, haste, ye maidens
  28. 29. Tune the soft melodious lute
  29. 30. Again Heaven smiles
  30. 31. Freedom now once more
  31. 33. His mighty arm
  32. 34. In glory high
  33. 36. Hail, glorious conqueror
  34. 37. Welcome as the cheerful light
  35. 38. Welcome though, whose deeds
  36. 39. Horror! Confusion!
  37. 40. Open thy marble jaws
  38. 41. Why is my brother thus afflicted?
  39. 42. First perish though
  40. 43. If such thy cruel purpose
  41. 44. On me let blind mistaken zeal
  42. 45. O spare your daughter
  43. 46. Such news flies swift
  44. 47. For joys so vast
  45. 48. Happy they
  46. 49. Deeper and deeper still
  47. 50. How dark, O Lord, are thy decrees!
  48. 51. Hide thou thy hated beams
  49. 52. A father, off ring up his only child
  50. 53. Waft her, angels, through the skies
  51. 54. Ye sacred priests
  52. 55. Farewell, ye limpid springs and floods
  53. 56. Doubtful fear and reverent awe
  54. 58. Rise, Jephtha, and ye reverend priests
  55. 59. Happy, Iphis, shalt thou live
  56. 60. For ever blessed be thy holy name
  57. 61. Theme sublime of endless praise
  58. 62. Let me congratulate
  59. 63. Laud her, all ye virgin train
  60. 64. O let me fold thee
  61. 66. With transport, Iphis
  62. 68. My faithful Hamor
  63. 70. All that is in Hamor mine
  64. 71. Ye house of Gilead

Reviews:

“David Portillo is presented with charisma, self-confident, with a spectacular vocal dexterity in the role of Jephtha. We would like to highlight the countertenor Aryeh Nussbaum Cohen, who was very strong, and the brilliant soprano Lauren Snouffer as Iphis, who gave an equally impressive reading. We were surprised by the expressive singing of Clara Osowski as Storgè. Finally, we liked the pure voice of Neal Davies, bass-baritone playing Zebul, and the vocal presence of Katelyn Lee as the angel. The chorus is one of the highlights of this version, while the orchestra invites the listener to enjoy the true instrumental colors of the period. Dame Jane Glover conducts with unrelenting conviction, as well as a refined sensitivity and a passionate and ardent focus” —Carme Miró, Sonograma

“Glover’s clear-eyed yet impassioned interpretation of the score is completely convincing, and this new recording is compelling, clearly benefitting from the bond the conductor has formed with many of these performers over her more than two decades as music director of Music of the Baroque.” –William Kempster, Fanfare

“[T]his happens to be the first recording of this work that really challenges the Gardiner recording from 1988…The cast here, with perhaps only a few people that most Handel aficionados will recognize, is uniformly excellent, as good as Gardiner’s more star-studded lineup. The orchestra is superb, with rich tone and sharp contrasts, guided by Glover’s deep and long-lived experience in this music…If you don’t know Jephtha, you are missing something. This is a good place to start.” –Simon Ritter, Audiophile Audition

“The soloists are uniformly splendid..Even soprano Katelyn Lee, who, as the Angel, gets a single recitative and aria, is marvelous. (The rest of the time Lee sings in her usual place in the chorus.) Soprano Lauren Snouffer, mezzo Clara Osowski, and tenor David Portillo are always clear in diction and mellifluous in tone…. [this new recording] from Music of the Baroque under Glover, surely ranks up there with the best previous recordings…” –Ralphe P. Locke, The Arts Fuse 

“There was a time when admirers of Handel would find it difficult to access anything other than a few oratorios and operas; Messiah reigned supreme. Things have changed in recent years as this splendid performance of the composer’s dramatic Jephtha proves – and apart from anything else, the chance to hear the piece under Jane Glover is an opportunity is not be missed; no-one has more authority than the legendary Glover in bringing out every aspect of Handel’s glorious score, particularly with the top-notch batch of soloists she is working with here. In a recording that is both lucid and wide-ranging, Jephtha has never sounded better.” –Barry Forshaw, Classical CD Choice

“In a sea of performances…Music of the Baroque’s Jephthastands out. David Portillo brings a dashing, ringing tenor to the title role…Lauren Snouffer showcases spectacular colour and command…fast-rising young countertenor Aryeh Nussbaum Cohen, his voice molten and appealingly mild. Clara Osowski…shares some of Choen’s vocal qualities, especially that decadent middle-low register…The Music of the Baroque Chorus sounds shapely and unified across this release; the pillowy treble voices in ‘Welcome Thou’ are a special treat…a worthy document of an exceedingly impressive live performance.” –Hannah Edgar, Opera Now

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