A “gifted and versatile pianist” (San Francisco Chronicle) and GRAMMY® winner Nadia Shpachenko enjoys bringing into the world things that are outside the box – powerful pieces that often possess unusual sonic qualities or instrumentation. Nadia’s concert highlights include recitals at Concertgebouw, Carnegie Hall, Disney Hall, on the Piano Spheres and Los Angeles Philharmonic’s Green Umbrella and Chamber Music Series, and with numerous orchestras in Europe and the Americas. An enthusiastic promoter of contemporary music, Nadia premiered more than 70 works by Elliott Carter, Paul Chihara, George Crumb, Daniel Felsenfeld, Tom Flaherty, Annie Gosfield, Vera Ivanova, Leon Kirchner, Amy Beth Kirsten, Hannah Lash, James Matheson, Missy Mazzoli, Harold Meltzer, Isaac Schankler, Adam Schoenberg, Lewis Spratlan, Gernot Wolfgang, Iannis Xenakis, Peter Yates, Jack Van Zandt, and many others.
Described as “an exceptional recording of newly composed piano works” (Textura Magazine), Nadia’s Reference Recordings CD Woman at the New Piano was nominated for 58th GRAMMY Awards® in 3 categories. Described as “a most invigorating and distinctive release” (Fanfare Magazine), Nadia’s 2018 Reference Recordings release Quotations and Homages features premieres of solo and collaborative works for 6 pianists (performed with Ray-Kallay Duo, HOCKET and Genevieve Feiwen Lee) inspired by a variety of earlier composers and pieces. Described as “superb… evocative… pure magic” (I Care If You Listen), Nadia’s 2019 Reference Recordings album The Poetry of Places features premieres of solo and collaborative works (performed with LA Phil pianist Joanne Pearce Martin and LAPQ percussionists Nick Terry and Cory Hills) inspired by diverse buildings. It won the 62nd Best Classical Compendium GRAMMY® Award. Nadia is also featured on Isaac Schankler’s 2019 Aerocade Music album Because Patterns and Gernot Wolfgang’s 2019 Albany Records album Vienna And The West. She is a Steinway Artist and professor of music at Cal Poly Pomona University and Claremont Graduate University.
Nadia Shpachenko Reviews:
Shpachenko’s passionate rendering of the material unifies it on this special recording.” —TEXTURA, February 2015
“If there’s a downside to this release, it’s that we might start expecting a new one every year. Nadia Shpachenko has done heroic work here, and the composers provide stimulating listening. I will be returning with special interest to the works by Matheson and Schoenberg.…” —Brian Reinhart, MusicWeb International
“Woman at the New Piano is a generous helping of new piano music by four contemporary composers covering a wide range of feelings, moods and techniques. Ms. Shpachenko and Genevieve Feiwen Lee have skillfully combined to produce a memorable recording.” —Paul Muller, New Classic LA