Philharmonia Baroque Orchestra

Recordings

Vivaldi for Diverse Insruments | Philharmonia Baroque Orchestra

Vivaldi for Diverse Instruments

Philharmonia Baroque Orchestra has been dedicated to historically-informed performance of Baroque, Classical and early-Romantic music on original instruments since its inception in 1981. Under Music Director Nicholas McGegan, Philharmonia Baroque has been named Ensemble of the Year by Musical America.

The Orchestra performs an annual subscription series in the San Francisco Bay Area, and is regularly heard on tour in the United States and internationally. The Orchestra has its own professional chorus, the Philharmonia Chorale, directed by Bruce Lamott, and welcomes talented guest artists such as mezzo-soprano Susan Graham, countertenor David Daniels, conductor Jordi Savall, fortepianist Emmanuel Ax, conductor Masaaki Suzuki, and violinist Rachel Podger.

The Orchestra has had numerous successful collaborations with celebrated composers and choreographers. Philharmonia premiered its first commissioned work, a one-act opera by Jake Heggie entitled To Hell and Back, in November 2006. In collaboration with the Mark Morris Dance Group, Philharmonia Baroque gave the U.S. premieres of Morris’s highly acclaimed productions of Henry Purcell’s King Arthur and Jean-Philippe Rameau’s ballet-opera Platée.

Among the most-recorded period-instrument orchestras in the United States or in Europe, Philharmonia Baroque has made thirty-four highly praised recordings – including its Gramophone award-winning recording of Handel’s Susanna – for harmonia mundi, Reference Recordings, and BMG.

Philharmonia Baroque Orchestra Reviews:

“The Philharmonia Baroque Orchestra have been creeping quietly into the upper echelon of period instrument orchestras. With this record, they have jumped the queue! The recording? In a word, stunning!” —Anthony Kershaw, Audiophilia