Archive for Review – Page 15
Textura Reviews Jan Kraybill’s The Orchestral Organ
Textura Magazine reviews Jan Kraybill’s The Orchestral Organ recording in their July 2019 issue: “On The Orchestral Organ, Dr. Jan Kraybill performs organ transcriptions of material by Sibelius, Holst, Wagner, Verdi, Barber, and others, and while many of the works are familiar, they assume vivid new life when presented in this organ-only context. … Representative of the album are the treatments of Barber’s Adagio for Strings and Sibelius’s Finlandia; being so well-known, they offer case studies for how effectively…
Five Stars for Hermitage Piano Trio’s Rachmaninoff from HRAudio!
HRAudio gives a 5-star rating to the performances and a 4.5-star rating to the sonics on the Hermitage Piano Trio‘s new Rachmaninoff recording: “ I put this new release in my player with much anticipation. The first thing that struck me was that it produced a sound reminding me of my old LPs before they got scratched and grey. A natural, non-glaring…sound. … Of course, sound is one thing, musical content quite another. But both should go…
Hermitage Piano Trio’s Rachmaninoff is “Truly Splendid”
MusicWeb International’s Jim Westhead offers a thorough review of the Hermitage Piano Trio’s Rachmaninoff recording: “The Hermitage trio plays…beautifully, aided by the mellifluous recording. … Reference Recordings have long been renowned for their recorded sound quality – I have several of their CDs and can testify to their fidelity. Here, on this SACD, which I have listened to in stereo via an SACD player, the recording is truly splendid, with all three members of the…
InfoDad Reviews the “Splendid” Hermitage Piano Trio Rachmaninoff Recording
The InfoDad blog gives a top-rating to the Hermitage Piano Trio’s new Rachmaninoff recording: “The two [piano] trios receive absolutely splendid readings, filled with warmth and passion and presented in exceptionally full and elegant sound, on a new Reference Recordings SACD featuring the Hermitage Piano Trio. … the group’s impassioned, deeply involving beauty of phrasing and cooperation is worthy of trios that have been around far longer. … [Trio élégiaque No. 2 ] is a brooding,…
MusicWeb Reviews Jan Kraybill’s Orchestral Organ
MusicWeb International‘s Dan Morgan, who found Jan Kraybill’s Organ Polychrome “pure magic”, jumped at the chance to hear the Julia Irene Kauffman Casavant Organ again in The Orchestral Organ: “The Orchestral Organ builds on…broad, well-established foundations. And, in the best tradition, this programme is clearly designed to intrigue, entertain and, quite possibly, educate. There are some familiar transcriptions among the first recordings and a world premiere. … Kraybill [is] as beguiling as one could wish. ……
Jan Kraybill is a Treasure
The Kansas City Star hails organist Jan Kraybill as “a local treasure” while reviewing her new recording, The Orchestral Organ: “The Orchestral Organ is a stunner. Imagine some of classical music’s most powerful orchestral works performed on Helzberg Hall’s Casavant organ. If you think that sounds good on paper, wait until you actually hear the recording. Kraybill, who is also the conservator of the Casavant organ, is a one-woman orchestra whose renditions of Wagner, Tchaikovsky,…
Audiophile Audition Reviews the Thrilling Orchestral Organ Recording from Jan Kraybill
“Organist Jan Kraybill is up to the task of performing these transcriptions. She is a musical leader, performer, educator, organ consultant, and enthusiastic advocate for the power of music to change lives for the better… I listened to the 5.1 rendering of these tracks and the sound was thrilling. The organ is big and brawny, the performances are precise and committed, and Reference Recording has done their usual audiophile magic. The lower pipes of the…
MusicWeb Review for the Excellent Recording of Kurt Sander’ Divine Liturgy of St. John Chrysostom
John Quinn reviews the PaTRAM Institute Singers recording of Kurt Sander’s Divine Liturgy of St. John Chrystostom for MusicWeb International: “The performance is conducted by Peter Jermihov who, so far as I’m concerned, has excellent credentials when it comes to Orthodox church music… This is, I understand, the first complete musical setting of the Liturgy of St. John Chrysostom in English and it’s a considerable achievement. … The singers taking part are, I believe, all…
Positive Feedback’s David Robinson: You Must Not Miss Jan Kraybill’s “The Orchestral Organ”
Positive Feedback‘s David W. Robinson offers a rare album review for Jan Kraybill’s new recording, The Orchestral Organ: “While I don’t do music reviews on a regular basis, there are times when a particular album really strikes me, and I have to say something…usually brief, but definite. This is one of those times. … This is a wonderful collection of music. I was quite pleased by all of them, but can give a special tip…
Kurt Sander’s Divine Liturgy is an “unprecedented phenomenon”
The Orthodox Arts Journal‘s Vladimir Morosan reviews the PaTRAM Institute Singers and Peter Jermihov’s Kurt Sander: The Divine Liturgy of St. John Chrysostom recording: “The results are nothing short of breathtaking! Attempts to describe music in words can never successfully convey what ultimately can only be expressed by musical sounds. Nonetheless, Kurt Sander’s new Divine Liturgy is a musical phenomenon that merits being written about if for no other reason than to entice you, as the reader…
You Really Shouldn’t Miss The Poetry of Places
Nadia Shpachenko’s The Poetry of Places has been added a SECOND time to Fanfare Archive’s “Not To Be Missed” section of their website after the publishing of a new review by Peter Burwasser: “As was the case with Nadia Shpachenko’s previous Reference Recordings project, Quotations and Homages, this release features a broad range of contemporary voices, with a scintillating mix of daring sound, genuine beauty, and a commodity too often missing from the new music world:…
Textura Sees Nadia Shpachenko Recordings as Trilogy
Textura Magazine’s new review of Nadia Shpachenko’s The Poetry of Places places it in context with her previous FRESH! From Reference Recordings releases: “The Poetry of Places could easily pass for the final part of a trilogy, so complementary is it to Nadia Shpachenko’s previous Reference Recordings releases, Woman at the New Piano (2014) and Quotations & Homages (2018). In all three cases, the intrepid pianist tackles challenging new works by a host of innovative composers, and while the…
SF Chronicle Reviews The Poetry of Places
Critic Joshua Kosman reviews Nadia Shpachenko’s The Poetry of Places in the San Francisco Chronicle Datebook: “In ‘The Poetry of Places,’ the gifted and versatile pianist Nadia Shpachenko premieres a remarkable lineup of 10 new works… It’s a winningly loose concept, and the music that results covers a wonderfully diverse stylistic range, from the disruptive shifts of tone in Andrew Norman’s ‘Frank’s House’…to the psychedelic whizzing and swooshing of Lewis Spratlan’s ‘Bangladesh.’ In between come…
The Poetry of Places is an Engaging Disc
The Whole Note‘s April 2019 “Keyed In” section of reviews for piano releases by critic Alax Baran features Nadia Shpachenko’s The Poetry of Places recording: “The variety of this repertoire is remarkable. Shpachenko performs a veritable tour of structures ancient and modern, producing extraordinary colours and textures from her Steinway D. Her composers sometimes add a second piano, voice, a toy piano, percussion and electronics to build their works. … Each composer provides a few…
The Poetry of Places is a Celebration of New Music!
Rafael’s Music Notes reviews Nadia Shpachenko’s The Poetry of Places recording: “The Poetry of Places…is a celebration of new music featuring a formidable pianist in the company of top practitioners in the field. … Throughout The Poetry of Places, Nadia Shpachenko valiantly navigates the now tranquil, now tumultuous waters of eight new works, six of them commissioned by and dedicated to her. … Set aside for a moment the technique and musicianship it takes to learn…