• Home
  • Shop/Explore
    • Full Catalog
    • Reference Recordings Catalog
    • FRESH! From RR Catalog
    • Buried Treasures — Limited Edition LPs
    • On Sale
    • Artists
    • Composers
    • Formats
      • HDCDs
      • HRx
      • Reference Mastercuts LPs
      • SACDs
      • Downloads
    • Genres
      • Classical
      • Blues
      • Jazz
      • Vocal
      • Samplers
      • Other
    • Gift Certificate
    • My Account
    • Cart
    • Store FAQs
    • Privacy Policy
  • About
    • Our History
    • Reference Recordings Team
      • Team Overview
      • John Tamblyn Henderson Jr.
      • “Prof” Keith O. Johnson
    • RR Awards and Nominations
  • News and Reviews
  • Audiophile Corner
  • Press Room
  • Distributors
  • Contact
  • Close Menu
Menu

Archive for Review – Page 32

EnjoyTheMusic Praises Organ Polychrome Across The Boards

With 4.5/5 stars for performance and enjoyment and 5/5 for sound quality, Enjoy The Music‘s Joe Milicia praises Jan Kraybill’s Organ Polychrome across the board: “Jan Kraybill has impressive credentials as an organist, clinician and educator in the Kansas City/Independence region, with performances across the US and abroad as well. For the present release in addition to performing she writes the enlightening CD program notes on the ten French composers represented. … it’s a fascinating… 

Read More→

Making A Scene Nominates Doug MacLeod for 2016 BMAs

Making A Scene‘s Richard Ludmerer says Doug MacLeod’s Exactly Like This “almost guarantees him two more [Blues Music Award] nominations in 2016.” “Doug MacLeod has been nominated for thirteen Blues Music Awards. He finally won in 2014 for both Acoustic Album of the Year, “There’s a Time”; and more importantly as Acoustic Artist of the Year. His song “The Entitled Few”, from that album, also received a 2014 nomination as Song of the Year. …… 

Read More→

Boston Concert Reviews Listens to Exactly Like This

Nelson Brill of Boston Concert Reviews isn’t just listening to Doug MacLeod‘s Exactly Like This, he’s listening for what’s coming next: “The blues are storytelling personified and there is no one as agile and wily in telling the blues as Doug MacLeod, 2014 winner of the Blues Music Awards for Acoustic Artist of the Year and perennial favorite here at bostonconcertreviews. Macleod has just released his latest recording on Reference Recordings, entitled Exactly Like This.… 

Read More→

Bruckner an All Music Editor’s Choice

Manfred Honeck and the Pittsburgh Symphony’s Bruckner recording is a March All Music Editor’s Choice! “Honeck gives this live performance a rather expansive interpretation, emphasizing the long sweep of melody and using a fair amount of rubato in his tempos to add dramatic shading, particularly by drawing out cadences for their full emotional effect. The orchestra is prepared for all of Honeck’s gradations and nuances, and it is remarkably fluid in shifting from one mood… 

Read More→

Classical CD Choice Reviews Bruckner

Classical CD Choice‘s Barry Forshaw sees Manfred Honeck and the Pittsburgh Symphony’s rise in stardom in the new Bruckner recording: “The Pittsburgh Symphony Orchestra and their Music Director Manfred Honeck have – in a very short space of time – become one of the most exciting teams in the modern classical world, with recordings that combine superlative musicianship with unparalleled recording quality.… we are offered a striking new interpretation of this imperishable masterpiece…” —Barry Forshaw,… 

Read More→

Exactly Like This Gets Four Stars From Audiophile Audition

Audiophile Audition‘s Robbie Gerson gives Doug MacLeod’s new Exactly Like This release four (out of five) stars in this latest review: “The material on ‘Exactly Like This‘ is very good. The recording environment by Reference Recordings is superlative. The live studio intimacy is enhanced significantly by the full sound of the 24-bit HDCD. The guitar resonates with natural vibration and echo. McLeod’s baritone reverberates with subtle prominence. Engineer Keith O. “Prof” Johnson” captures the essence… 

Read More→

New Classic LA Features Nadia Shpachenko Woman At The New Piano

New Classic LA‘s Paul Muller has a new feature for Nadia Shpachenko’s Woman At The New Piano: “Airdancing is an appealing combination of the traditional piano sounds and electronic percussion. The lightness in the rhythms and timbre of the electronics are nicely contrasted with the lower, more ominous sections in an interesting mix. … Part Suite-a for Solo Piano is a technically challenging piece that is precisely realized here. … Finger Songs for Solo Piano… 

Read More→

The Arts Desk Says Honeck is “At It Again”

The Arts Desk‘s Graham Rickson named the Pittsburgh Symphony’s Dvořák/Janáček recording a “Best of 2014”, so how does the new Bruckner SACD stack up? “Manfred Honeck’s at it again. Changing dynamics, tampering with tempo markings, adjusting balances. But when the results feel so idiomatically right, only a chump would object. … Start noting down the high spots and you’ll need several sheets of paper. … This is a great performance, exactly the sort of disc… 

Read More→

Our Musical Journey Reviews Exactly Like This

Exactly Like This gets a rave review and Doug MacLeod adds a new fan in the Our Musical Journey blog: “I need to get my balance, so that I can tip my hat to both Doug MacLeod and Reference Recordings, and kick myself for not finding both sooner. Doug plays all originals and has written somewhere around 300 songs and recorded 17 studio albums. I am truly impressed with Doug’s lyricism and his playing which… 

Read More→

Blues In The Northwest Reviews Exactly Like This

Lionel Ross of Blues In The Northwest recommends Doug MacLeod’s latest recording, Exactly Like This: “…‘Serious Doin’ Woman’ describes the temptations that can confront a musician on the road and is embellished by some lovely guitar work while the instrumental, ‘Ridge Runner’ races along, brilliantly driven by the excellent rhythm section. ‘New Morning Road’ is a down home blues, which showcases MacLeod’s wonderfully rich vocal quality at its impressive best in advance of the superb,… 

Read More→

SA-CD Net Gives Bruckner 5 Stars

SA-CD.net’s Graham Williams gives five stars for both performance and sonics to the new Pittsburgh Symphony and Manfred Honeck Bruckner recording: “Manfred Honeck has shown himself to be a searching interpreter of everything he conducts, in addition to being an outstandingly cultured musician and fine orchestral trainer. … Honeck convincingly relates the musical ideas to the literary ones outlined in the composer’s programme – something that in some respects moves the symphony closer to becoming… 

Read More→

Pittsburgh Symphony Bruckner “Simply Tantalizing”

Brian Wigman of Classical.net has been “anticipating this release since the beginning of Pittsburgh’s partnership with Reference Recordings” because “the prospect of Bruckner was simply tantalizing.” His review: “The opening instantly establishes this as Honeck’s own performance. … It’s quite magical.… About 10 minutes in, the strings and brass work so thrillingly together that it effectively captures everything right about this disc. … At about the same speed on EMI, Herbert von Karajan finds markedly… 

Read More→

Pittsburgh Symphony Among the Best in the World — Stereo Times

Stereo Times critic Russell Lichter was “intrigued by the hoopla” around the new Pittsburgh Symphony and Manfred Honeck Bruckner release. Did it live up to the hype? “I really did not know the PSO’s music-making ability nor was I familiar with Manfred Honeck, but I know them now and in my view this orchestra and conductor are up there with the very best in the world. This particular performance, this amazing performance, is very special… 

Read More→

Pittsburgh Symphony Bruckner Gets “Highest Recommendation”

Film Music: The Neglected Art critic Thomas Kiefner gives the new Pittsburgh Symphony Orchestra Bruckner release his “highest recommendation.” “Listening to the new live recording from Reference Recordings of Bruckner’s Symphony No. 4 is as close to being there as you’ll ever experience. … On the very first play you’ll hear that the Pittsburgh Symphony under Honeck’s direction play this work as if they’ve played it a 1000 times. … The Pittsburgh Symphony has brought… 

Read More→

Is The Pittsburgh Symphony Bruckner the Best Ever?

Audiophile Audition‘s Steven Ritter asks, is the new Pittsburgh Symphony Orchestra and Manfred Honeck release “The best Bruckner Fourth ever recorded?” “There have been many fine recordings of this work, but none to my mind holds a candle to Karl Bohm’s 1973 Decca reading. I can honestly say that Honeck and the superb Pittsburghians have given us a performance in phenomenal—underline that—surround sound that launches this rendition to the absolute top of the pile. The… 

Read More→

← Previous Page
Next Page →
This field is for validation purposes and should be left unchanged.
GDPR Consent(Required)
Connect:
800-336-8866
650-355-1949
1-650-355-1845
PO Box 627 Pacifica, CA 94044
Reference Recordings® © 2026 All Rights Reserved
  • Home
  • Store
  • News
  • About
  • Contact