Archive for Award
José Serebrier Wins ARSC Award
It has been my pleasure and honor to have had a lifelong friendship with Jose Serebrier, one of the world’s greatest conductors. Reference Recordings is very proud to have several albums conducted by Maestro Serebrier on our label. His biography, José Serebrier: Portraits of the Maestro, is a fascinating book, be sure to check it out! I just learned it recently received a 2022 “Certificate of Merit” Award for the Best Historical Research in Recorded Classical Music…
Copper Magazine Reviews Pittsburgh Symphony’s Shostakovich/Barber
Critic Lawrence Schenbeck offers his top 2017 releases in PSAudio’s Copper Magazine and features Manfred Honeck and the Pittsburgh Symphony’s new Shostakovich: Symphony No. 5; Barber: Adagio for strings recording: “I’ve grievously neglected the fine work done by Honeck in Pittsburgh, a neglect made more shameful because of Soundmirror’s crucial contribution. Whenever I sit down to hear one of these albums, I am drawn closer to the immediacy of live performance than with any other…
Pittsburgh Symphony Nominated for ICMA
Order Now The Pittsburgh Symphony Orchestra and Manfred Honeck recording of Shostakovich Symphony No. 5 and Barber’s Adagio for Strings has been nominated for the 2018 International Classical Music Awards in the “Symphonic Music” category! The ICMA – having taken the place of the Cannes Classical Awards (later known as MIDEM) – first awarded prizes in 2011, and has since taken its place as the leading pan-European competition for excellence in classical recording. Its jury…
“Professin’ The Blues” Nominated for Age Music Victoria Award
UPDATE — PROFESSIN THE BLUES IS THE BEST BLUES ALBUM WINNER!!! Fiona Boyes‘ Professin’ The Blues has been nominated for The Age Music Victoria Awards as the Best Blues Album of 2017! Her Box & Dice album was the 2015 Winner! About The Age Music Victoria Awards Heading into its 12th year in 2017, The Age Music Victoria Awards are excited to once again reveal the nominees for each category and open up the polls…
Pittsburgh Symphony’s Strauss Opera Suites wins Record of the Year!
For the second year in-a-row, The Pittsburgh Symphony and Manfred Honeck have won Opus Magazine‘s “Record of the Year” award! This year’s distinction goes to their recording of Strauss’s Elektra and Der Rosenkavalier Opera Suites: Order Now “In the Pittsburgh Symphony Orchestra’s sixth recording of the Pittsburgh live! series, conductor Manfred Honeck and Czech composer Tomáš Ille have once again joined forces (after their 2014 and 2016 collaborations on the Jenufa symphonic suite and the…
Dick Hyman Honored As A Jazz Master
April 3, 2017, longtime RR artist Dick Hyman will be featured during a concert in honor of the 2017 NEA Jazz Masters, held in collaboration with the John F. Kennedy Center for the Performing Arts, will take place as part of the National Endowment for the Arts’ Jazz Appreciation Month in April. The concert will be streamed live on the NEA, Kennedy Center, and NPR Music websites as well as SiriusXM Channel 67. The 2017…
Dawn To Dust Composer Andrew Norman Named Composer of the Year!
Musical America names Dawn To Dust composer Andrew Norman their 2017 Composer of the Year! “He has likened his start-and-stop rhythms and rapid-fire exchanges to video games, YouTube playback, and other digital-age phenomena. It is a voice singularly his own, and several major commissions from leading orchestras and soloists of our time have vindicated his vision. Contemporary composers often find themselves caught between two groups that stand in stark opposition to each other. On one…
Strauss a MusicWeb International 2014 Record of the Year
MusicWeb International has released their critics nominations for Record of the Year and of the 141 nominations, the Pittsburgh Symphony Orchestra’s Strauss was one of only eight recordings that received two nominations from critics! “…there is excitement, drama and romance aplenty served in top notch sound. For me this recording joins the best.” —Ian Lace “When the horns cut loose in Don Juan, halfway through and near the end, it feels like you’ve been strapped…