Archive for Blessed Art Thou Among Women
Music Notes Review for Blessed Art Thou Among Women
Rafael de Acha’s Music Notes site reviews the PaTRAM Institute’s Blessed Art Thou Among Women recording: “Works by Rachmaninoff along compositions by Gretchaninoff, Tcherepnin, and several other musical artists that lived and worked in the past two or more centuries enrich the CD Blessed Art Thou Among Women, a wonderfully varied collection of devotional texts in praise of the Virgin Mary set to choral music and superbly sung by the PaTRAM Institute Singers, led by Peter…
American Record Guide Reviews Blessed Art Thou Among Women
American Record Guide reviews the PaTRAM Institute’s recording of Blessed Art Thou Among Women in the September/October 2020 Issue: “Depsite the common ethnicity and theme, the music covers so much ground chronologically and stylistically that the program stays interesting. … Rachmaninoff’s ‘Theotokos Ever-Vigilant’ sings out with the lush, spiritually-charged harmonies we know from his Vespers. There’s also a delicate embrace of the Sacred Feminine in ‘All of Creation Rejoices’ by Nikolai Mihailovich Danilin… I don’t…
More MusicWeb Praise for Blessed art Thou Among Women
MusicWeb International‘s John Quinn offers a second review for the PaTRAM Institute’s Blessed Art Thou Among Women recording: “With performers of such pedigree involved, I was keen to hear this latest disc on which they offer a programme of Orthodox hymns in honour of Mary, the Mother of God. … This is an excellent recital. I’ve mentioned only a few of the pieces but I would ask readers to take on trust that the items…
MusicWeb International Recommends Blessed Art Thou Among Women
MusicWeb International’s Marc Rochester has given PaTRAM Institute’s Blessed Art Thou Among Women recording a Recommended distinction! “Bortnyansky’s simple but effective setting of Beneath Thy Compassion gives us a wonderful taste of a fine choir supported by a powerful profundo bass, while a resonant burst of a genuinely Russian-sounding profundo bass (sung by the rather surprisingly named Glenn Miller) opens Zheludkov’s setting of Do Not Lament Me, O Mother. Emerging from the rich, luxuriant textures of the Magnification for the…
Orthodox Arts Journal Reviews PaTRAM’s Blessed Art Thou Among Women
The Orthodox Arts Journal reviews the new PaTRAM Institute recording, Blessed Art Thou Among Women: “The repertoire lineup is indeed star-studded. Here the listener will find hymns that are familiar and widely beloved… Throughout the program, there are moments of exquisite choral beauty, punctuated by outstanding solo contributions: by soprano Fotina Naumenko, basso profundo Glenn Miller, baritone Protodeacon Leonid Roschko, and basso profundo Alexis Lukianov, who poignantly intones “Memory eternal” to his late father, Protopresbyter…