Archive for Brahms MacMillan
MusicWeb International Adds a Rave for Pittsburgh Symphony’s Brahms & MacMillan
Ralph Moore has a new rave review for Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra recording: “From the way Honeck asks his orchestra to lean into the very first note, beseechingly and growing out of a whispered sigh, you know that this is a deeply thought out performance. Grand, stately, very “masculine” this recording is nonetheless lyrically flowing with its sights firmly set on the final…
Brahms & MacMillan a NativeDSD Album of the Year
NativeDSD.com released their 2021 albums of the year, and the Orchestral winner is Manfred Honeck and the Pittsburgh Symphony Orchestra’s recording of Brahms: Symphony No. 4 and Macmillan: Larghetto for Orchestra! “Athletic! I see that word applied to many of Honeck’s recordings – strong, emphatic performances! Sometimes he has been accused of being a bit over the top, but I find this Brahms Fourth to be excellent in every way. If I had to choose…
Five Stars from BBC Music Magazine for PSO’s Brahms & MacMillan
Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4 & MacMillan: Larghetto for Orchestra release receives a five-star review in the December issue of BBC Music Magazine! “In this outstanding performance of Brahms’s Fourth Symphony, Manfred Honeck draws a wonderfully rich, almost Central European string sound from the Pittsburgh Symphony, matched by equally mellifluous and wonderfully blended colours from the woodwind and horns. …there’s a thrilling immediacy to their playing which seems absolutely…
The ArtsDesk reviews Brahms & MacMillan
Graham Rickson reviews Manfred Honeck and the Pittsburgh Symphony’s recording of Brahms: Symphony No. 4 & MacMillan: Larghetto for Orchestra in The ArtsDesk: “This new Pittsburgh Symphony recording starts beautifully, Manfred Honeck lingering imperceptibly on the upbeat, an unmannered and affecting touch. ‘Unmannered’ sums this performance up; Honeck’s Brahms 4 is consistently idiomatic and fabulously played, the Pittsburgh orchestra’s dark, distinctive timbre perfect for this brooding work. Horns and lower strings are magnificent throughout: sample…
Pittsburgh Symphony’s Brahms Gets Five Stars from Norman Lebrecht
Norman Lebrecht gives five stars to Manfred Honeck and the Pittsburgh Symphony Orchestra’s recording of Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra. “The Larghetto, based on MacMillan’s choral setting of Psalm 51, moves from a Miserere starting point to something altogether more encouraging, an organic optimism that transcends present woes and looks to bright eternity. I would add it without hesitation to commemorative concerts for the COVID era. It’s the work of a fine composer writing…
10s Across The Board for Brahms & MacMillan
Manfred Honeck and the Pittsburgh Symphony’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra receives a 10/10 in Artist Quality and Sound Quality from ClassicsToday.com and David Hurwitz! “After a first movement outstanding for its exquisitely gentle (but still fluent) opening and an aptly ferocious coda, the remainder of the symphony is noteworthy for its unusual fleetness–no “autumnal” Brahms here! This approach pays big dividends in the ballad-like second movement, whose singing, legato melodies…
Gramophone Reviews Pittsburgh Symphony’s Brahms & MacMillan
The November issue of Gramophone features a great review for the Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 & MacMillan: Larghetto for Orchestra: “This latest release presents subtly incendiary Brahms alongside an utterance of radically different stripe. … The main work transmits an impression of interpretative renewal. Though capable of cushioned ‘European’ warmth, the Pittsburgh Symphony has a cleaner, brighter edge than traditionally associated with big-band Brahms.… As ever articulation is precisely honed,…
New York Times Names Pittsburgh Symphony’s Brahms And MacMillan as a Must Hear
The New York Times has just published a list of “Five Classical Albums to Hear Right Now” and number one on the list is the Pittsburgh Symphony Orchestra and Manfred Honeck’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra! “these forces have been setting new standards in the standards, their records combining astonishing playing… Right on cue, their new album offers James MacMillan’s gnarly-to-seraphic Larghetto for Orchestra, atmospherically adapted from his choral “Miserere” for its premiere in…
CVNA Hails Pittsburgh Symphony’s Brahms & MacMillan as a Spectacular Achievement
Classical Voice North America has a new rave review for the Pittsburgh Symphony and Manfred Honeck’s recording of Brahms: Symphony No. 4 and James MacMillan: Larghetto for Orchestra: “Honeck begins Brahms’ Fourth Symphony by lingering on the upbeat, emphasizing the way the first two notes can sound like a sigh. Those two notes are immediately inverted, so goodbye temporarily to the sigh, but Honeck’s rhetorical gesture establishes a certain wistfulness characteristic of Brahms’ first two…
Pittsburgh Symphony’s Brahms & MacMillan is “Top Notch”
The Classical Music Sentinel reviews Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 & James MacMillan: Larghetto for Orchestra recording: “In the beautiful [Symphony No. 4] Andante moderato… Honeck’s focus and attention are diverted to the charm of the orchestration. The lush string writing around the 8:00 minute mark, and the many fine moments in which the Pittsburgh woodwind section shines through. The boisterous and ebullient character of the following movement is well projected in…
Audiophile Audition Gives Five Stars to Manfred Honeck and Pittsburgh Symphony’s Brahms & MacMillan Album!
Audiophile Audition critic Steven Ritter gives a five-star review to Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4; MacMillan: Larghetto for Orchestra recording: “Certainly, the last movement of the Fourth Symphony is the orchestral pinnacle of the age in relation to the variation form. … It is this last movement to which the entire symphony is directed, and its success depends on how well the previous movements are balanced. … Many conductors…