Archive for Colin Anderson
Colin Anderson Reviews The Complete Beethoven Piano Concertos
Classical Source editor Colin Anderson has published a rave review on his Colin’s Column site in his “Outstanding” Category for the Garrick Ohlsson, Sir Donald Runnicles, and Grand Teton Music Festival’s Complete Beethoven Piano Concertos recording: “I started at the very end, with Beethoven’s Prometheus Overture, to get a feel for recorded sound and the orchestral playing: both excellent, Sir Donald setting a dignified opening against a bustling allegro, an appreciable entrée to Garrick Ohlsson and the five Piano…
Wine Dark Sea on Classical Ear!
“Seventy minutes of wind-band music includes the album’s title piece, Wine Dark Sea by John Mackey…attractive, whimsical, soulful, filmic.… Dan Welcher’s Spumante…is an ebullient starter with enticing colours and a ready wit. J’ai été au bal finds Donald Grantham exploring Cajun music, the dance music delightfully lopsided and friendly, a tuba and a euphonium are given a jazzy workout before the brass contingent beefs things up and the music becomes fantastical. The Concerto for Clarinet…
ClassicalEar Reviews Dawn To Dust
ClassicalEar‘s Colin Anderson gives a four-star rating to the Utah Symphony’s new Dawn To Dust recording: “One thing is certain, that the Utah Symphony and music director Thierry Fischer are going places. This superbly recorded anthology reports a top-drawer orchestra. Augusta Read Thomas’s EOS (Goddess of the Dawn) pulsates with life and suggestion, orchestrated with colour, a gleaming score conveying very likeable music to the ears.… Much is promised at the beginning [of Andrew Norman’s…