Fanfare Magazine’s Colin Clarke says Nadia Shpachenko’s Invasion: Music and Art for Ukraine is “Not To Be Missed”: “Spratlan’s music is viscerally exciting, a sonic representation of (understandable) anxiety via a preponderance of gesture. The performance is as good as one could imagine. It falls to Shpachenko to present Piano Suite No. 1 (2021), a somewhat Schoenbergian utterance, perhaps particularly in the initial “Capriccio.” Shpachenko truly understands, as does Spratlan, the expressive nature of dissonance,…
Fanfare Magazine highlights Nadia Shpachenko’s The Poetry of Places recording in their online “Not To Be Missed” section: “The idea of reacting to spaces is the thread that snakes through this fascinating recital. Programming is clearly a strength of Shpachenko, as her disc Quotations & Homages spoke of a similarly adventurous spirit. The superbly produced booklet gives fine background information to the pieces and composers, in tandem with a selection of photographs worth the price of…