Concerto Net gives a four-star review to the Kansas City Symphony and Michael Stern’s One Movement Symphonies recording: “Each of these stylistically different composers solves the challenges this form would inherently present, and each proves it to be a liberating and artistically durable form for their eras.… Conductor Michael Stern’s exquisite pacing in this performance points up the specificness of Barber’s command of the concept… Barber’s oceanic strings and coloratura brass find the composer at…
Christie Grimstad reviews José Serebrier’s Last Tango Before Sunrise recording for ConcertoNet: “Driven forward with striking acuity in any sort of music he’s conducted, his excellence never fails… Serebrier’s Symphony for Percussion acts like a case study, showing the importance of percussion… It’s best to close the eyes, sit back and soak in the widely wizard remarks. … Pocketed throughout by Stravinsky-esque discords, the Piano Sonata is not without its lighter, genteel lines. … The rollicking “Moto Perpetuo: Presto”…
ConcertoNet reviews the new San Francisco Ballet Orchestra Moszkowski: From Foreign Lands recording: “Reference Recordings aids in erasing the paucity of collections by introducing us to the delectability of From Foreign Lands. Moszkowski’s mastering of highly ornamental, approachable music without trivial fanfare is securely tethered under the confident leadership of San Francisco Ballet Orchestra’s (SFBO) Martin West…the CD couldn’t be in better hands.… Keith O. Johnson again masters the sound to create a joyful journey…
ConcertoNet reviews the upcoming Pittsburgh Symphony Orchestra and Manfred Honeck Tchaikovsky/Dvořák SACD: “Empathy and understanding are two flourishing intangible ingredients which a conductor must cogitate then parlay for the ear in order to elicit a composer’s deepest thoughts. Such pensive factors engulfed Peter Ilyich Tchaikovsky’s life, and while the conveyance of his finale à la vie are rendered sublime by Manfred Honeck, the germination of musical tendrils only gets better in his récriture personnelle of…
“This is essential listening for fans of new American orchestral music. The triptych gives a fascinating cross-section of current trends, and RR’s “Fresh!” moniker is an incredibly accurate description of the results. The notes on the pieces are by the composers themselves, and it is interesting to see how the prose and musical writing mirror each other…Recorded sound is demonstration quality. Highly recommended!” —Marcus Karl Maroney, ConcertoNet Read the full review on ConcertoNet.com Dawn To…