The following is an excerpt from an interview with Fanfare Magazine‘s James Altena and members of the Bach Aria Soloists. The full interview is available for subscribers online and will be in the May/June 2023 Issue of the Magazine:
Huntley Dent has added Nadia Shpachenko’s Invasion: Music and Art for Ukraine to Fanfare‘s “Not To Be Missed” list! “Calling upon her friend and sometime collaborator, Pulitzer Prize-winning composer Lewis Spratlan, Shpachenko commissioned Invasion, which is scored for piano and chamber ensemble. My expectations of grim, angry music were overturned by Invasion, whose three sections, lasting 12 minutes, don’t echo the stark bleakness of wartime Shostakovich, or any other war music I can think of. Instead, Spratlan…
Jerry Dubins reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky Symphony No. 4; Leshnoff: Double Concerto for clarinet and bassoon in the November/December 2020 issue of Fanfare Magazine: “[Leshnoff’s Double Concerto] is gloriously beautiful and quite possibly a masterpiece, though that judgment will have to be left to time. … If Leshnoff’s aim was to ensure that the bassoon would emerge as the clarinet’s equal, he suceeded admirably. Nancy Goeres huffs and puffs…
Fanfare Magazine’s latest issue features a review of the Florentine Opera’s world premiere recording of Carlisle Floyd: Prince of Players: “The performance is excellent. As Kynaston, baritone Keith Phares sings well, articulates the text clearly, and is very touching in a role that requires a wide dramatic range. Kynaston has a bar fight, two love scenes (one with each gender), and scenes where he portrays a Shakespeare character. Dramatically, Phares seems thoroughly inside the role.…
The PaTRAM Institute’s Teach Me Thy Statutes recording continues to receive praise in Fanfare Magazine, and even gets shortlisted for a “Want List” Award: “the 15 movements presented on this disc, although selected from different Chesnokov works, form a convincing whole and offer music of extraordinary beauty and depth of feeling, generating a sense of profound exaltation and devotion to something beyond the limitations of one’s own life. Even a non-religious person…can find this glorious…
Steven Kruger reviews Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven: Symphony No. 3 and Strauss: Horn Concerto No. 1 recording in the January/February 2019 issue: “Manfred Honeck certainly knows how to make a good record. … [this] new release from Reference Recordings demonstrates again how reliably Honeck supplies us with a vibrant performance and the most interesting liner notes you will read anywhere. … This is the most vivid modern ‘Eroica’ I know… It’s…
Henry Fogel offers a new review for the GRAMMY®-nominated Teach Me Thy Statutes recording from PaTRAM in the January/February 2019 issue of Fanfare Magazine: “this is the first disc I have encountered devoted entirely to [Pavel Chesnokov’s] music. I found it exquisitely beautiful. This kind of music is particularly dependent on performance quality, and Chesnokov has ben fortunate here. … [The PaTRAM Institute Male Choir sings] with a remarkably even blend while still retaining clarity.…
Fanfare Magazine‘s Peter Burwasser has a new review for Nadia Shpachenko’s Quotations and Homages recording in their July/August 2018 issue: “This highly attractive and frequently delightful CD is a clever concept program.… Shpachenko bookends the collection with the music of Tom Flaherty, in works of very different emotional impact, one serious and the other whimsical, reflecting a similar variety in the balance of the program. His Rainbow Tangle is a rich and colorful reflection of…
Fanfare Magazine has a new review for Nadia Shpachenko’s Quotations and Homages recording in their “Not To Be Missed” section: “…a superb and superbly recorded program of pieces as fresh as they are ready to pay respect to the traditions that led to their creation. …framing this set of relative miniatures with the works of Tom Flaherty was a stroke of genius. His integration of electronic and acoustic elements speaks to a long-fostered commitment to…
“Well, here is the symphony no one could capture—captured at last? I think so! Every music lover grayer than a few decades will recall how pervasive once was the notion of an “unrecordable piece,” a work destined to mock the best efforts of microphones and loudspeakers of the day. … The Mahler Symphony of a Thousand was a holy grail of sorts, attempted from time to time, but essentially out of reach. … I thought…
Fanfare critic Andrew Quint has named Michael Stern and the Kansas City Symphony’s Saint-Saëns: Symphony No. 3 “Organ” to his 2016 year-end “Want List”: “San Francisco’s Reference Recordings, issuing musically worthy recordings in audiophile sound for more than three decades, continues its rewarding relationship with Michael Stern and the over-achieving Kansas City Symphony. This all-Saint-Saëns program is anchored by the well-worn “Organ” Symphony, played here with sure-footed metrical precision plus plenty of cinematic splendor. “Professor”…
Three Fanfare Magazine critics have Manfred Honeck and the Pittsburgh Symphony Orchestra’s recordings on their 2016 year-end “Want Lists”: Order Now Beethoven: Symphonies Nos. 5 & 7 “Manfred Honeck’s Beethoven… helps you to recapture the shock of the new. There is nothing gimmicky or freakish about it, but I wasn’t 10 seconds into this SACD before I sat up and took notice. The booklet contains Honeck’s almost blow-by-blow description of both symphonies, and it is…
“Manfred Honeck has a winner here again with the Pittsburgh Symphony. It would be hard to praise this recording too much. Not only does he bring us the most exciting recorded Tchaikovsky “Pathetique” I know—plus arrange a fine unified suite from Dvořák’s Rusalka—he’s taken trouble to pen the best CD program notes I recall reading anywhere, complete with audio index points and examples of what he’s trying to accomplish. Honeck’s observations about Tchaikovsky’s life and…
Fanfare Magazine’s James Altena sees Carlisle Floyd as a leading voice of American Opera and welcomes Wuthering Heights into his collection: “Here is a composer who writes in an accessible but never simplistic or retrograde tonal vocabulary; has a sound grasp of what makes operas work dramatically in terms of subject matter, plotting, and pacing; and crafts compelling music that vividly illustrates his texts (Floyd writes his own librettos) while yet placing them in expressive,…
Arthur Lintgen reviews Manfred Honeck and the Pittsburgh Symphony’s new Bruckner recording for Fanfare Magazine: “What Honeck does accomplish, perhaps better than any other conductor, is to move the music along and even lighten instrumental textures as in the relaxed and faster second subject of the first movement without detracting in any way from the solemnity of the opening horn call and the power of the massive brass climaxes. In other words, Honeck’s flexible tempos…