Gramophone Magazine reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto in the September 2020 issue: “Manfred Honeck… [in Tchaikovsky’s Symphony No. 4] conveys a strong sense of structural integrity while simultaneously portraying the unfolding drama in vivid colours. … the playing itself is exquisite. In the Scherzo, Honeck is meticulous in his observance of piano and pianissimo markings, while the finale packs a wallop. Indeed, the symphony’s final moments are…
Gramophone Magazine’s James Jolly gives praise to the