Archive for Gramophone
Gramophone Features the Grand Teton Music Festival Orchestra and Garrick Ohlsson’s Recording of The Complete Beethoven Piano Concertos
The May 2023 issue of Gramophone Magazine features a must-see four-page feature on the Grand Teton Music Festival and the orchestra’s recording of the Beethoven Piano Concertos with Garrick Ohlsson and Sir Donald Runnicles. See the piece, titled “Climbing Everest in the Rockies” by Thomas May on Page 23! “To perform all five Beethoven piano concertos as a cycle is to ascend one of the repertoire’s proverbial Everest-like peaks. … a winning combination of factors…
Gramophone Reviews Le Dolce Sirene
The Bach Aria Soloists’ Le Dolce Sirene gets a great review from Laurence Vittes in the March 2023 issue of Gramophone Magazine: “The Kansas City-based Bach Aria Soloists make their recording debut on Reference Recordings with a lovely album of Monteverdi, Bach, Handel and Mendelssohn, complemented by Cecilia McDowall and concluding with their own improvisation on La folia. Recorded with the label’s trademark sweet and clear perfection, ‘Le dolce sirene’ achieves that audiophile miracle, sounding even…
Gramophone Reviews Nadia Shpachenko’s Invasion Release
The January 2023 issue of Gramophone Magazine features a review of Nadia Shpachenko’s recording of Invasion: Music and Art for Ukraine: “Lewis Spratlan’s Invasion is a raucous, volatile tone poem for a sextet of piano, saxophone, horn, trombone, percussion and – I assume to provide some local Ukrainian colour – mandolin, written at speed in March this year.… Invasion is the music of indignation and outrage, its combative nature (it does have a more contemplative central section) mirrored…
Migration in Gramophone’s November Issue!
Gramophone Magazine’s Christian Hoskins reviews the University of Texas and Jerry Junkin’s Migration recording in the November 2022 issue: This generously filled album brings together four works by contemporary American composers either scored or adapted for wind ensemble. Adam Schoenberg’s Second Symphony is a programmatic piece inspired by his wife’s family’s migration to the United States. The first of its five movements, ‘March’, with its imposing brass statements and busy percussion, communicates the tension that…
Gramophone Reviews Pittsburgh Symphony’s Brahms & MacMillan
The November issue of Gramophone features a great review for the Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 & MacMillan: Larghetto for Orchestra: “This latest release presents subtly incendiary Brahms alongside an utterance of radically different stripe. … The main work transmits an impression of interpretative renewal. Though capable of cushioned ‘European’ warmth, the Pittsburgh Symphony has a cleaner, brighter edge than traditionally associated with big-band Brahms.… As ever articulation is precisely honed,…
Gramophone Reviews Tchaikovsky and Leshnoff
Gramophone Magazine reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto in the September 2020 issue: “Manfred Honeck… [in Tchaikovsky’s Symphony No. 4] conveys a strong sense of structural integrity while simultaneously portraying the unfolding drama in vivid colours. … the playing itself is exquisite. In the Scherzo, Honeck is meticulous in his observance of piano and pianissimo markings, while the finale packs a wallop. Indeed, the symphony’s final moments are…
Pittsburgh Symphony in the Gramophone Listening Room
Gramophone Magazine’s James Jolly gives praise to the