The Kansas City Symphony and Michael Stern’s Holst: The Planets; The Perfect Fool gets a great review in the March/April 2020 issue of American Record Guide: “This wonderful recording sounds better and better the more you increase the volume; and somehow, that glorious sound includes both great detail and great space. We seem to be hovering just above music director Michael Stern, so individual instruments are heard vividly, and yet we never seem too close.…
The Arts Desk’s Graham Rickson reviews Kansas City Symphony and Michael Stern’s recording of Holst: The Planets; The Perfect Fool: “Michael Stern’s Kansas City Symphony version is a blast… An audiophile’s delight as well as a musical treat, Stern gets pretty much everything right. You’ll hear things in this recording that you’ll struggle to discern on starrier versions, the marvel being that nothing feels forced or artificially spotlit. There’s a sepulchral brass chorale a few…
Gramophone Magazine started the New Year with a January 2020 review for the Kansas City Symphony and Michael Stern’s Holst: The Planets; The Perfect Fool in the Sounds of America section: “The Kansas City Symphony seize the day, and night, on their new recording under music director Michael Stern. Some performances of The Planets focus more on the score’s colourful surfaces than on its dramatic mysteries and jubilance but Stern’s concept pays close attention to every alluring…
Audiophile Audition gives five stars to Michael Stern and the Kansas City Symphony’s Holst: The Planets; The Perfect Fool! “The soundstage is magnificent—very wide, and perhaps the deepest recording I have ever heard.… I felt as though I was really hearing the orchestra in its natural estate, and when the oboe solos, it sounds as if it is more distant in the ensemble. Time and time again, the distance factor figured into the listening experience in…
Classical Candor‘s John J. Puccio reviews The Kansas City Symphony and Michael Stern’s new Holst: The Planets; The Perfect Fool on SACD: “You can be sure with Keith Johnson’s Reference Recordings, for example, that an orchestra sounds the way a real orchestra would sound in a real concert hall. That’s certainly the case with this recording of the Kansas City Symphony, under the direction of its longtime Music Director Michael Stern, and made in Helzberg…