Fanfare Magazine’s Colin Clarke says Nadia Shpachenko’s Invasion: Music and Art for Ukraine is “Not To Be Missed”: “Spratlan’s music is viscerally exciting, a sonic representation of (understandable) anxiety via a preponderance of gesture. The performance is as good as one could imagine. It falls to Shpachenko to present Piano Suite No. 1 (2021), a somewhat Schoenbergian utterance, perhaps particularly in the initial “Capriccio.” Shpachenko truly understands, as does Spratlan, the expressive nature of dissonance,…
The January 2023 issue of Gramophone Magazine features a review of Nadia Shpachenko’s recording of Invasion: Music and Art for Ukraine: “Lewis Spratlan’s Invasion is a raucous, volatile tone poem for a sextet of piano, saxophone, horn, trombone, percussion and – I assume to provide some local Ukrainian colour – mandolin, written at speed in March this year.… Invasion is the music of indignation and outrage, its combative nature (it does have a more contemplative central section) mirrored…
Huntley Dent has added Nadia Shpachenko’s Invasion: Music and Art for Ukraine to Fanfare‘s “Not To Be Missed” list! “Calling upon her friend and sometime collaborator, Pulitzer Prize-winning composer Lewis Spratlan, Shpachenko commissioned Invasion, which is scored for piano and chamber ensemble. My expectations of grim, angry music were overturned by Invasion, whose three sections, lasting 12 minutes, don’t echo the stark bleakness of wartime Shostakovich, or any other war music I can think of. Instead, Spratlan…