Archive for Jeremy Reynolds
Pittsburgh Post-Gazette on PSO’s Bruckner Symphony No. 9 : “a masterpiece”
Jeremy Reynolds reviews Manfred Honeck and the Pittsburgh Symphony Orchestra’s new Bruckner: Symphony No. 9 recording in the Pittsburgh Post-Gazette: “To get right to it, it’s a masterpiece. Music director Manfred Honeck and the orchestra recorded the symphony last year during three live concerts — reviewed here — and again partnered with recording engineers from Soundmirror of Boston. Bruckner’s ninth is a beast. Even in its unfinished, three-movement state, the symphony runs just over an hour. The…
Pizzicato Gives Supersonic Distinction to Pittsburgh Symphony’s Beethoven and Strauss
Pizzicato Magazine has given its “Supersonic” badge of distinction to the Pittsburgh Symphony and Manfred Honeck‘s Beethoven: Symphony No. 3 and Strauss Horn Concerto No. 1 recording: “With an extremely inventive conducting, Manfred Honeck proves that one can still say something new in Beethoven’s Eroica, even with a modern symphony orchestra. Textually there are fascinating differences from what we are used to. The Funeral march is considered the centre of the symphony, and with Honeck…
Pittsburgh Post-Gazette: New Pittsburgh Symphony Recording “Grabs Your Soul”
The Pittsburgh Post-Gazette has a review for the new Pittsburgh Symphony and Manfred Honeck recording of Beethoven: Symphony No. 3 and Strauss: Horn Concerto No. 1 with a headline declaring that it “grabs your soul (rewind) and grabs it again.” “Most people have experienced musical recordings that, no matter what genre, demand to be listened to over and over again. These moments hold some sort of power over your soul; you hum and whistle them,…