Ralph Graves reviews Michael Stern, Joyce Yang, Stephen Powell, and the Kansas City Symphony’s recording of Leshnoff: Symphony No. 3; Piano Concerto for WTJU FM: “Written for the centennial of Armistice Day, Leshnoff gives voice to those who fought. He sets excerpts from letters written to loved ones at home. They don’t talk about the glory of battle but share quiet, intimate moments in simple yet beautifully poetic language. … It’s a beautiful work, beautifully…
MusicWeb International critic Lee Denham has published a must-read interview with composer Jonathan Leshnoff titled “An Interview and Portrait of America’s next great composer”: Twenty-first century classical composers are a rare breed – and even rarer are those who have enjoyed as much popular acclaim as Jonathan Leshnoff, a comparative youngster, born in 1973, whose works have already been taken up by many orchestras in his native USA with much success – the New York…
MusicWeb International names the Kansas City Symphony Orchestra’s recording of Jonathan Leshnoff: Piano Concerto; Symphony No. 3 with Joyce Yang and Stephen Powell a February 2021 Recording of the Month! “Both are world-premiere recordings, the symphony set down a week after its premiere performance in 2016, while the Concerto was recorded live at its premiere in November 2019, and both are treated to excellent orchestral playing, as well as superb sonics from Reference Recordings –…
Phil Muse reviews The Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang’s recording of Leshnoff: Symphony No. 3; Piano Concerto in the Atlanta Audio Society‘s December Newsletter: “Once again, an exploration of the music of American composer Jonathan Leshnoff proves rewarding. … What makes this composer so distinguishable from his contemporaries is easy to divine: it is the concentrated emotion, the lyricism, cohesive construction, and economy of his music. In the last-cited, Leshnoff…
Jerry Dubins reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky Symphony No. 4; Leshnoff: Double Concerto for clarinet and bassoon in the November/December 2020 issue of Fanfare Magazine: “[Leshnoff’s Double Concerto] is gloriously beautiful and quite possibly a masterpiece, though that judgment will have to be left to time. … If Leshnoff’s aim was to ensure that the bassoon would emerge as the clarinet’s equal, he suceeded admirably. Nancy Goeres huffs and puffs…
The Arts Fuse reviews Kansas City Symphony’s recording of Jonathan Leshnoff Symphony No. 3 and Piano Concerto with Stephen Powell and Joyce Yang: “The Concerto’s first movement alternates motoric and lyrical subjects, its constant shifts of phrases and harmonies keeping the ear from ever getting too comfortable. “Neshema,” the slow second movement, offers a beautiful, falling tune that’s gradually embellished. The Scherzo, with its frolicsome keyboard writing and nifty transformations of orchestral textures, charms throughout.…
Audiophile Audition‘s Steven Ritter gives ⭐️⭐️⭐️⭐️⭐️ to Leshnoff: Symphony No. 3 and Piano Concerto recording from the Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang: “After reviewing Leshnoff’s Double Concerto for Clarinet and Bassoon recently on another marvelous Reference issue, I was most intrigued to see what was coming next. … Leshnoff writes from the heart, but with a lot of craft and intelligence. Speaking of Samuel Barber, I think he resembles that master somewhat…
Michael Stern and the Kansas City Symphony’s Leshnoff World Premiere Recordings are available today! Reference Recordings® proudly presents two new works from leading American composer Jonathan Leshnoff. Distinguished by The New York Times as “a leader of contemporary American lyricism,” Leshnoff is renowned for his music’s striking harmonies, structural complexity, and powerful themes. These world premiere recordings showcase the Kansas City Symphony performing his third symphony, inspired by World War I letters home, with texts sung by baritone Stephen Powell.…
The Pittsburgh Symphony Orchestra and Manfred Honeck’s Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto recording has been nominated for the 2021 International Classical Music Awards in the Assorted Programs category! See the full list at icma-info.com Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto for Clarinet and Bassoon Reference Recordings® proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World…
Classical Voice North America reviews the Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang’s world premiere recordings of Jonathan Leshnoff’s Symphony No. 3 and Piano Concerto: “The long-lined legato strings that open the symphony immediately bring to mind works like Samuel Barber’s Adagio for Strings with its tonal modulations and harmonically resolved suspended chords. It is meditative mood music. The winds, including a contrabassoon, briefly create an unusual, dark balance. French horns, trombones, winds doubling…
As we prepare for The Kansas City Symphony and Joyce Yang’s World Premiere recording of Jonathan Leshnoff’s Piano Concerto, watch a nine-part interview series between Joyce, Jonathan, and conductor Michael Stern about the genesis of the work, the recording, and more: Leshnoff: Symphony No. 3; Piano Concerto Reference Recordings® proudly presents two new works from leading American composer Jonathan Leshnoff. Distinguished by The New York Times as “a leader of contemporary American lyricism,” Leshnoff is renowned for his…
The first review is in for the Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang’s Leshnoff World Premiere Recordings! “Thanks to various CD’s released by Reference Recordings, I have become an admirer of the music of American composer Jonathan Leshnoff. … The impressive lineup of soloists and the sterling work of the Kansas musicians numbers immense artistic rewards in this treasure of a recording, impeccably engineered and produced by Dirk Sobatka of Soundmirror. ……
American Record Guide critic Roger Hecht reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto: “Manfred Honeck seems to have a clear, thought out concept of this work. Every phrase, measure, balance, dynamic nuance, coloring, etc. sounds conceived in advance. … The result is a conception executed to the last 16th note by well trained players. … this is an effective and interesting performance, carried off with…
MusicWeb International’s Lee Denham is a new Jonathan Leshnoff fan after hearing the Pittsburgh Symphony and Manfred Honeck recording of his Double Concerto for Clarinet and Bassoon: “The Concerto lasts around 15 minutes and opens with a long, songful Adagio, followed by a short perky waltz, with a busy finale full of good humour. As it began, my attention immediately pricked up at the ear-catching and melodious sounds from the orchestral introduction before the clarinet…
Gramophone Magazine reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto in the September 2020 issue: “Manfred Honeck… [in Tchaikovsky’s Symphony No. 4] conveys a strong sense of structural integrity while simultaneously portraying the unfolding drama in vivid colours. … the playing itself is exquisite. In the Scherzo, Honeck is meticulous in his observance of piano and pianissimo markings, while the finale packs a wallop. Indeed, the symphony’s final moments are…