La Folia with a wonderful rave review of the Pittsburgh Symphony’s Struass SACD: “It really doesn’t get better than this. … From Don Juan’s opening bars, it is impossible not to smile at this recording’s dynamism. In the notes Honeck itemizes a ticking clock, labored breathing, and irregular accents indicating a distorted gait, etc., all of which are astoundingly vivid. …[I] am glad that Till Eulenspiegel closes this program. The twisting clarinet precisely portrays Till’s…