TheaterByte‘s Lawrence Devoe puts Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven Symphony No. 9 recording at the top of his list: “A thrilling performance of Beethoven’s crowning symphonic achievement by Manfred Honeck and his Pittsburgh Symphony Orchestra that in terms of sound and musical execution goes to the top of my list of recordings of this venerable work. Maestro Manfred Honeck is in his twelfth season as music director of one of America’s top-tier…
The InfoDad Team revels in Manfred Honeck and the Pittsburgh Symphony’s Beethoven Symphony No. 9 recording, giving it their highest rating! “there are near-infinite ways of presenting a symphony as crucial to all of classical music as Beethoven’s Ninth, and any recording that has something new to say is certainly entitled to say it. In the case of the performance led by Manfred Honeck and released by Reference Recordings, it happens that there is much new to…
Remy Franck reviews Manfred Honeck and the Pittsburgh Symphony’s recording of Beethoven: Symphony No. 9 in Pizzicato Magazine: “Manfred Honeck is a conductor who thinks a lot about music… This always results in personal interpretations like this one. …There is plenty of excitement in his very detailed and pulsating interpretation, with emphatically bright colors and many a tumble in the woodwinds, in addition to some more austere-sounding passages (including the somewhat eerie funeral march at…
ConcertoNet critic Linda Holt, gives a four-star (of four) review to the Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9 recording: “Manfred Honeck and the Pittsburgh Symphony Orchestra have released a remarkable new reading of one of the most venerated classics of the Western canon, Beethoven’s Ninth Symphony in D minor, opus 125. Honeck’s vision of this work is impressive for its respect for the instructions of the composer and its dynamic sense of unfolding…
Don’t miss this incredible look at Beethoven’s Symphony No. 9 with Manfred Honeck and New York Times critic David Allen! See it on nytimes.com “Manfred Honeck is one of today’s leading Beethoven conductors. As music director of the Pittsburgh Symphony Orchestra, he has created notably exciting recordings of the Third, Fifth and Seventh Symphonies. Now he and the orchestra, founded 125 years ago this month, are releasing their interpretation of the mighty Ninth. What makes Honeck’s approach so…
Jerry Dubins reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky Symphony No. 4; Leshnoff: Double Concerto for clarinet and bassoon in the November/December 2020 issue of Fanfare Magazine: “[Leshnoff’s Double Concerto] is gloriously beautiful and quite possibly a masterpiece, though that judgment will have to be left to time. … If Leshnoff’s aim was to ensure that the bassoon would emerge as the clarinet’s equal, he suceeded admirably. Nancy Goeres huffs and puffs…
BBC Music Magazine’s critics have selected their favorite recordings of 2020 and the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Jonathan Leshnoff: Double Concerto for Clarinet and Bassoon is a best orchestral recording! “Tchaikovsky’s Fourth is a work of inspired structural ingenuity, as is clear both from Manfred Honeck’s insightful and extensive notes and this fine recording by the Pittsburgh Symphony on the kind of commanding form older collectors may…
The Pittsburgh Symphony Orchestra and Manfred Honeck’s Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto recording has been nominated for the 2021 International Classical Music Awards in the Assorted Programs category! See the full list at icma-info.com Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto for Clarinet and Bassoon Reference Recordings® proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World…
Fanfare Magazine reviews Manfred Honeck and the Pittsburgh Symphony’s Tchaikovsky Symphony No. 4 & Leshnoff Double Concerto recording in the September/October 2020 issue: “Manfred Honeck has a special talent for making recordings. …A Honeck release is a documentarian’s dream. Musicologists will never have to puzzle over what he meant to achieve, as historians still do with storied conductors of the past. I wish more were like him. … Honeck’s take on the Tchaikovsky Fourth Symphony…
American Record Guide critic Roger Hecht reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto: “Manfred Honeck seems to have a clear, thought out concept of this work. Every phrase, measure, balance, dynamic nuance, coloring, etc. sounds conceived in advance. … The result is a conception executed to the last 16th note by well trained players. … this is an effective and interesting performance, carried off with…
Gramophone Magazine reviews the Pittsburgh Symphony and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto in the September 2020 issue: “Manfred Honeck… [in Tchaikovsky’s Symphony No. 4] conveys a strong sense of structural integrity while simultaneously portraying the unfolding drama in vivid colours. … the playing itself is exquisite. In the Scherzo, Honeck is meticulous in his observance of piano and pianissimo markings, while the finale packs a wallop. Indeed, the symphony’s final moments are…
Nelson Brill reviews the Pittsburgh Symphony and Manfred Honeck’s Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto recording on Boston Concert Reviews: “This new classical gem is from another gifted composer, Jonathan Leshnoff, in his delectable exploration of the unique sounds created when a solo clarinet and bassoon join forces with a sparkling orchestra. Leshnoff’s Concerto For Clarinet and Bassoon is performed by the venerable Pittsburgh Symphony conducted by their Music Director, Manfred Honeck, and recorded on…
Audiophile Audition gives ⭐️⭐️⭐️⭐️⭐️ to the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto: “any new recording needs to have something different going for it, as there have been so many fabulous offerings over the last 60 years. I am pleased to report—and this is hardly new—that the Pittsburghians have accomplished just that. … Honeck, always at pains to justify his interpretative schema, does just that again…
Rafael de Acha adds the Pittsburgh Symphony and Manfred Honeck’s Tchaikovsky Symphony No. 4 and Jonathan Leshnoff Double Concerto recording to his short list of Best of 2020: “Commissioned and premiered by the Pittsburgh Symphony Orchestra and conducted by Manfred Honeck, the ensemble’s superb Music Director, Jonathan Leshnoff’s beautiful Double Concerto for Clarinet and Bassoon affords PSO principals Michael Rusinek (clarinet) and Nancy Goeres (bassoon) the opportunity to shine as soloists in this gorgeous 20-minute-long, three-movement composition. Leshnoff’s music is unabashedly accessible. From the onset…
BBC Music Magazine gives the Pittsburgh Symphony and Manfred Honeck a 5-Star Recording rating for Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto and makes it their Orchestral Choice! “Tchaikovsky’s Fourth is a work of inspired structural ingenuity, as is clear both from Manfred Honeck’s insightful and extensive notes and this fine recording by the Pittsburgh Symphony… Honeck paces everything so that the eruptions that crown the first movement’s exposition, development, recapitulation and coda retain…