Graham Rickson praises the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky Symphony No. 4 and Jonathan Leshnoff Double Concerto in The Arts Desk: “Quick warning: the Pittsburgh brass are borderline oppressive in Tchaikovsky’s opening fate motif, and it’s all for the good; this symphony’s initial bars should be scary if the journey from darkness to light is to feel convincing. … This is thrilling stuff – sample the Pittsburgh horns’ exultant big tune…
AllMusic’s James Manheim gives a four-and-a-half star rating to Manfred Honeck and the Pittsburgh Symphony’s Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto recording: “the Symphony No. 4 has rarely received such an intense performance… The Pittsburgh Symphony is in fine form in the symphony’s thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure: a neo-Romantic work agreeably…
MusicWeb International‘s John Quinn reviews Manfred Honeck and the Pittsburgh Symphony’s Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto recording: “The Double Concerto was written for the artists who play it here… There’s a fresh, open feel to the music and, apart from one brief climax, the movement is predominantly gentle and lyrical in voice. The whole thing is winningly attractive. … I think Jonathan Leshnoff has given us a thoroughly entertaining piece. … Michael…
ArtsFuse reviews the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto for Clarinet and Bassoon: “Manfred Honeck is one of that rare breed of artist: a conductor who can draw compelling, electrifying accounts of the standard canon as if on cue. His latest release, which pairs Tchaikovsky’s Symphony no. 4 with Jonathan Leshnoff’s Double Concerto for Clarinet and Bassoon, manages this feat again. Honeck’s reading is marked by a…
Culture Spot LA‘s Henry Schlinger reviews the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto for Clarinet and Bassoon: “We at Culture Spot are always thrilled to get a new release from Reference Recordings of Manfred Honeck conducting the Pittsburgh Symphony Orchestra, and the new recording of Tchaikovsky’s Symphony No. 4 is no exception. One thing we’ve come to expect from Honeck and the PSO is an…
Classical Music Sentinel reviews the Pittsburgh Symphony and Manfred Honeck’s Tchaikovsky Symphony No. 4 & Jonathan Leshnoff Double Concerto recording: “As in his famous ballets, Tchaikovsky’s affinity for irresistible melodies comes to the fore in this symphony’s slow movement, and conductor Honeck and the musicians of the orchestra well project it’s idyllic charm. And as far as thrills are concerned, nothing quite matches this symphony’s final movement. With a momentum more manic than the 1812 Overture it…
Out Now WorldWide! Reference Recordings® proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World Premiere recording of leading American composer Jonathan Leshnoff’s Double Concerto for Clarinet and Bassoon, featuring the extraordinary talents of the Pittsburgh Symphony’s own Principal Clarinet Michael Rusinek and Principal Bassoon Nancy Goeres. This hybrid SACD release was recorded in beautiful and historic Heinz Hall, home of…
HR Audio‘s Graham Williams gives a ⭐️⭐️⭐️⭐️⭐️ review for the Pittsburgh Symphony and Manfred Honeck’s Tchaikovsky Symphony No. 4 & Leshnoff: Double Concerto SACD: “any new release from the award-winning team of Manfred Honeck and the Pittsburgh Symphony on the Reference Recordings label is worth investigating as, based on previous form, it is likely to yield a performance that brings new interpretive insights to even the most familiar staples of the classical repertoire. In addition,…
Italian magazine, Audiophile Sound, has named the Pittsburgh Symphony Orchestra and Manfred Honeck’s Bruckner: Symphony No. 9 recording their December 2019 album of the month! “Over the last decade Manfred Honeck has moulded the Pittsburgh Symphony into a world-class band and on this album they give a compelling account of Bruckner’s greatest symphony using the Nowak edition. … The magnificent recording also allows one to hear how Honeck delineates instrumental lines and builds massive, structured…
The Bruckner Society of America has announced that the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Bruckner: Symphony No. 9 has received their award for Recording of the Year! “this new recording stands out clearly as among the finest we have heard. The Pittsburgh Symphony performs with a palpable level of commitment, which is conveyed with extraordinary clarity by the superb recording. Maestro Honeck’s interpretation of the Symphony is particularly compelling and musically rigorous,…
MusicWeb International Critic Nick Barnard names the Pittsburgh Symphony and Manfred Honeck’s Bruckner: Symphony No. 9 a 2019 Recording of the Year! “Manfred Honeck is a consistently challenging and inspiring conductor. Certainly, his superb Pittsburgh players sound inspired. Deeply considered and superbly rendered this is a performance of visionary magnificence. Backed up by Reference’s state of the art recording.” —Nick Barnard, MusicWeb International See Nick Barnard’s original review from MusicWeb International RR Amazon iTunes Arkiv…
Reference Recordings is excited to announce eleven nominations across eight categories for the 2020 GRAMMY® Awards! The Orchestral Organ 2020 GRAMMY® Award Nominee: Best Immersive Audio Album Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers (Jan Kraybill) Best Classical Instrumental Solo Jan Kraybill Producer of the Year, Classical Marina A. Ledin, Victor Ledin Bruckner: Symphony No. 9 2020 GRAMMY® Award Nominee:…
The International Classical Music Awards have nominated the Pittsburgh Symphony and Manfred Honeck’s Bruckner: Symphony No. 9 recording for a 2020 Symphonic Music Award. The International Classical Music Awards The ICMA – having taken the place of the Cannes Classical Awards (later known as MIDEM) – first awarded prizes in 2011, and has since taken its place as the leading pan-European competition for excellence in classical recording. Its jury of 16 distinguished classical critics and…
The Pittsburgh Symphony and Manfred Honeck received a “Recommended” distinction from Nick Barnard of MusicWeb International for their Bruckner: Symphony No. 9 recording: “Honeck has restored the Pittsburgh Orchestra to its position as one of America’s very finest ensembles and, alongside the state of the art engineering from Reference, he is creating a library of recordings that will stand the test of the ages. This new recording of Bruckner’s Symphony No.9 is just such a triumph. This…
Fanfare Magazine’s Gavin Dixon reviews Manfred Honeck and the Pittsburgh Symphony Orchestra’s Bruckner: Symphony No. 9 recording: “Manfred Honeck’s impressive discography with the Pittsburgh Symphony raises high expectations for this new Bruckner Nine, and it doesn’t disappoint. Honeck has a knack for reinventing core Romantic repertoire, but without moving outside of established performing traditions. … The orchestra deserves equal praise for their performance here. The distinctively American brass sound works wonders in Bruckner, but the…