Classical Voice North America has a new rave review for the Pittsburgh Symphony and Manfred Honeck’s recording of Brahms: Symphony No. 4 and James MacMillan: Larghetto for Orchestra: “Honeck begins Brahms’ Fourth Symphony by lingering on the upbeat, emphasizing the way the first two notes can sound like a sigh. Those two notes are immediately inverted, so goodbye temporarily to the sigh, but Honeck’s rhetorical gesture establishes a certain wistfulness characteristic of Brahms’ first two…
Classical Voice North America calls Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9 an “essential” recording: “Honeck’s riveting new CD of Beethoven’s Ninth with the Pittsburgh Symphony was recorded at Heinz Hall concerts in June 2019. He introduced his swift approach to Beethoven, drawing on the composer’s metronome markings, with stunning performances of the Seventh in 2009. The recording of the Ninth benefits from the experience the orchestra had with Honeck’s interpretation at concerts…
The Pittsburgh Tribune-Review offers a fantastic new review for Manfred Honeck and the Pittsburgh Symphony before they head to Europe tomorrow! “The new recording by Manfred Honeck and the Pittsburgh Symphony Orchestra, released May 13, is worth acquiring for many reasons including individual and compelling performances of both familiar and novel repertoire and stunning quality of recorded sound. … Honeck sets the context for and explains many details of his interpretation of “Pathetique” in his…