“This is a most interesting program, comprising four late Romantic Spanish piano trios, none well-known, with a good deal in common stylistically but with sufficient differences to avoid any sense of repetition.… I had not encountered the music of Mariano Perelló before… He was a renowned violinist and a member of the prominent ensemble Trio Barcelona. While his Tres Impresiones do not specifically reference Spanish dances, they are there throughout. Each movement begins impressively.… These are good…
Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 and James MacMillan Larghetto for Orchestra is a MusicWeb International 2022 Recording of the Year Double-Nominee! “Indisputably the finest – and possibly the most important – recording to emerge in 2022 was this release of Brahms’ Fourth Symphony by Manfred Honeck. In an age where recordings of the old war-horses are not universally welcomed, the general thought being that everything that has been said about the…
Another “Recommended” distinction from a MusicWeb International Critic for Pittsburgh Symphony Orchestra’s Brahms & MacMillan release, and this time the spotlight shines on James MacMillan! “I really have to doff my hat to Reference Recordings, as well as to Manfred Honeck and the Pittsburgh Symphony Orchestra, for their commitment to programming and recording new music is genuinely admirable. … I have come across the music of MacMillan more than once in the past, both in…
Michael Cookson reviews the Carnegie Mellon Wind Ensemble and George Vosburgh’s recording of Strauss: The Happy Workshop & Serenade, Op. 7 for MusicWeb International: “The Reference Recordings label is noted for the quality of its recordings and this new album presenting a pair of underrated and neglected works for wind ensemble by Richard Strauss is no exception. … the Carnegie Mellon Wind Ensemble under Vosburgh provides an engaging performance making a convincing case for this…
Tekla Cunningham and Pacific MusicWorks’ Stylus Phantasticus gets a rave review and recommendation from MusicWeb International‘s Johan van Veen: “Over the years I have heard many recordings of this kind of repertoire, and it never fails to make a strong impression. The instrumental music of the 17th century is quite exciting stuff. However, its effect largely depends on the performance. If the contrasts within pieces are flattened out or the dynamic differences are equalized, the…
Ralph Moore has a new rave review for Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra recording: “From the way Honeck asks his orchestra to lean into the very first note, beseechingly and growing out of a whispered sigh, you know that this is a deeply thought out performance. Grand, stately, very “masculine” this recording is nonetheless lyrically flowing with its sights firmly set on the final…
MusicWeb International critic Dan Morgan reviews the new Kansas City Symphony and the Michael Stern recording, One Movement Symphonies: “From the outset, it’s clear Stern has the measure of the [Barber First Symphony], its dramatic arch cannily constructed, its final destination never in doubt. As for the KCS, they respond with real warmth and commitment, their playing as poised and polished as anything you might hear in Boston, Chicago, or even Detroit. Predictably, the recording…
Following a Recording of the Month distinction and a fantastic new interview, Michael Wilkinson joins the chorus of MusicWeb International critics in praising Jonathan Leshnoff: Symphony No. 3; Piano Concerto recording with the Kansas City Symphony, Michael Stern, Joyce Yang, and Stephen Powell: “When first heard, Leshnoff provides music overwhelmingly tonal, rich in melody, with a confident momentum. It is exciting in both variety of timbres and in its immediacy. Repeated hearings reveal new depths…
MusicWeb International names the Kansas City Symphony Orchestra’s recording of Jonathan Leshnoff: Piano Concerto; Symphony No. 3 with Joyce Yang and Stephen Powell a February 2021 Recording of the Month! “Both are world-premiere recordings, the symphony set down a week after its premiere performance in 2016, while the Concerto was recorded live at its premiere in November 2019, and both are treated to excellent orchestral playing, as well as superb sonics from Reference Recordings –…
MusicWeb International reviews the Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang’s world premiere recordings of Jonathan Leshnoff: Symphony No. 3 and Piano Concerto: “This is an excellent concerto. It’s thoroughly entertaining, though in saying that I don’t want to give the impression that the music is in any way superficial. Such is not the case; the work is inventive and very accessible and in the second movement depths of feeling are plumbed.…
MusicWeb International has a second review for the Florentine Opera Company’s world premiere recording of Carlisle Floyd’s Prince of Players: “Realism is triumphant on the stage… In the role of Peg Kate Royal is exceptional, having already shown her interest in the music of Carlisle Floyd. Here she produces a beautiful sound while ably portraying the conflicts faced by her character. Keith Phares is a stalwart of new and recent American operas and his portrayal…
MusicWeb International‘s John Quinn offers a second review for the PaTRAM Institute’s Blessed Art Thou Among Women recording: “With performers of such pedigree involved, I was keen to hear this latest disc on which they offer a programme of Orthodox hymns in honour of Mary, the Mother of God. … This is an excellent recital. I’ve mentioned only a few of the pieces but I would ask readers to take on trust that the items…
MusicWeb International‘s John Quinn reviews Manfred Honeck and the Pittsburgh Symphony’s Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto recording: “The Double Concerto was written for the artists who play it here… There’s a fresh, open feel to the music and, apart from one brief climax, the movement is predominantly gentle and lyrical in voice. The whole thing is winningly attractive. … I think Jonathan Leshnoff has given us a thoroughly entertaining piece. … Michael…
MusicWeb International’s Marc Rochester has given PaTRAM Institute’s Blessed Art Thou Among Women recording a Recommended distinction! “Bortnyansky’s simple but effective setting of Beneath Thy Compassion gives us a wonderful taste of a fine choir supported by a powerful profundo bass, while a resonant burst of a genuinely Russian-sounding profundo bass (sung by the rather surprisingly named Glenn Miller) opens Zheludkov’s setting of Do Not Lament Me, O Mother. Emerging from the rich, luxuriant textures of the Magnification for the…
MusicWeb International Critic Nick Barnard names the Pittsburgh Symphony and Manfred Honeck’s Bruckner: Symphony No. 9 a 2019 Recording of the Year! “Manfred Honeck is a consistently challenging and inspiring conductor. Certainly, his superb Pittsburgh players sound inspired. Deeply considered and superbly rendered this is a performance of visionary magnificence. Backed up by Reference’s state of the art recording.” —Nick Barnard, MusicWeb International See Nick Barnard’s original review from MusicWeb International RR Amazon iTunes Arkiv…