Archive for Nadia Shpachenko
Fanfare Says Invasion is Not To Be Missed
Fanfare Magazine’s Colin Clarke says Nadia Shpachenko’s Invasion: Music and Art for Ukraine is “Not To Be Missed”: “Spratlan’s music is viscerally exciting, a sonic representation of (understandable) anxiety via a preponderance of gesture. The performance is as good as one could imagine. It falls to Shpachenko to present Piano Suite No. 1 (2021), a somewhat Schoenbergian utterance, perhaps particularly in the initial “Capriccio.” Shpachenko truly understands, as does Spratlan, the expressive nature of dissonance,…
Gramophone Reviews Nadia Shpachenko’s Invasion Release
The January 2023 issue of Gramophone Magazine features a review of Nadia Shpachenko’s recording of Invasion: Music and Art for Ukraine: “Lewis Spratlan’s Invasion is a raucous, volatile tone poem for a sextet of piano, saxophone, horn, trombone, percussion and – I assume to provide some local Ukrainian colour – mandolin, written at speed in March this year.… Invasion is the music of indignation and outrage, its combative nature (it does have a more contemplative central section) mirrored…
All Music Reviews Nadia Shpachenko’s Invasion
James Manheim gives 4 and a half stars to Nadia Shpachenko’s Invasion: Music and Art for Ukraine recording on All Music: “The piece titled Invasion is not a wartime dirge but a mix of elements overturned by the war, “a counterpoint of moods — between ominous undercurrents, folkloric touchstones, and a modernist ‘authorial’ commentary,” in the words of annotator Peter Yates. This work is echoed in the Six Rags for solo piano, which are not classical…
Invasion is Not To Be Missed
Huntley Dent has added Nadia Shpachenko’s Invasion: Music and Art for Ukraine to Fanfare‘s “Not To Be Missed” list! “Calling upon her friend and sometime collaborator, Pulitzer Prize-winning composer Lewis Spratlan, Shpachenko commissioned Invasion, which is scored for piano and chamber ensemble. My expectations of grim, angry music were overturned by Invasion, whose three sections, lasting 12 minutes, don’t echo the stark bleakness of wartime Shostakovich, or any other war music I can think of. Instead, Spratlan…
The Poetry of Places Wins 2020 GRAMMY® Award!
GRAMMY® Winner: Classical Compendium Reference Recordings would like to congratulate Nadia Shpachenko, producers Victor and Marina A. Ledin, and recording engineer Barry Werger-Gottesman on their 2020 GRAMMY® Award for Best Classical Compendium for The Poetry of Places! The Poetry of Places Nadia Shpachenko’s latest Reference Recordings release The Poetry of Places features World Premiere recordings of works for solo piano, for two pianos, percussion, electronics, voice, and toy piano in a fascinating mélange inspired by great architecture…
Announcing Eleven 2020 GRAMMY® Nominations!
Reference Recordings is excited to announce eleven nominations across eight categories for the 2020 GRAMMY® Awards! The Orchestral Organ 2020 GRAMMY® Award Nominee: Best Immersive Audio Album Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers (Jan Kraybill) Best Classical Instrumental Solo Jan Kraybill Producer of the Year, Classical Marina A. Ledin, Victor Ledin Bruckner: Symphony No. 9 2020 GRAMMY® Award Nominee:…
I Care If You Listen Reviews Nadia Shpachenko’s The Poetry Of Places
Anne Goldberg-Baldwin reviews Nadia Shpachenko‘s The Poetry of Places on I Care If You Listen: “An album of solo and duo piano, electronics, and percussion, The Poetry of Places is a superb assemblage of works by various composers. Each piece, inspired by a particular building, weaves together a collage of place and time, and Shpachenko’s evocative interpretations bring insight to the composers’ visions… One of the highlights of The Poetry of Places is Hannah Lash’s Give me your Songs, a multifaceted…
Nadia Shpachenko Presents The Poetry of Places Release Concert on June 18, 2019
June 18, 2019 at San Francisco’s Center for new Music, pianist Nadia Shpachenko presents works from her recording The Poetry of Places and more. Details What: The Poetry of Places Album Release Concert When: June 18, 2019 at 7:30pm Where: Center for New Music, 55 Taylor St, San Francisco, CA 94102 How: Tickets at CenterForNewMusic.com Program Harold Meltzer: “In Full Sail” for solo piano San Francisco Premiere Jack Van Zandt: “Sí an Bhrú” for piano…
You Really Shouldn’t Miss The Poetry of Places
Nadia Shpachenko’s The Poetry of Places has been added a SECOND time to Fanfare Archive’s “Not To Be Missed” section of their website after the publishing of a new review by Peter Burwasser: “As was the case with Nadia Shpachenko’s previous Reference Recordings project, Quotations and Homages, this release features a broad range of contemporary voices, with a scintillating mix of daring sound, genuine beauty, and a commodity too often missing from the new music world:…
Textura Sees Nadia Shpachenko Recordings as Trilogy
Textura Magazine’s new review of Nadia Shpachenko’s The Poetry of Places places it in context with her previous FRESH! From Reference Recordings releases: “The Poetry of Places could easily pass for the final part of a trilogy, so complementary is it to Nadia Shpachenko’s previous Reference Recordings releases, Woman at the New Piano (2014) and Quotations & Homages (2018). In all three cases, the intrepid pianist tackles challenging new works by a host of innovative composers, and while the…
SF Chronicle Reviews The Poetry of Places
Critic Joshua Kosman reviews Nadia Shpachenko’s The Poetry of Places in the San Francisco Chronicle Datebook: “In ‘The Poetry of Places,’ the gifted and versatile pianist Nadia Shpachenko premieres a remarkable lineup of 10 new works… It’s a winningly loose concept, and the music that results covers a wonderfully diverse stylistic range, from the disruptive shifts of tone in Andrew Norman’s ‘Frank’s House’…to the psychedelic whizzing and swooshing of Lewis Spratlan’s ‘Bangladesh.’ In between come…
The Poetry of Places is an Engaging Disc
The Whole Note‘s April 2019 “Keyed In” section of reviews for piano releases by critic Alax Baran features Nadia Shpachenko’s The Poetry of Places recording: “The variety of this repertoire is remarkable. Shpachenko performs a veritable tour of structures ancient and modern, producing extraordinary colours and textures from her Steinway D. Her composers sometimes add a second piano, voice, a toy piano, percussion and electronics to build their works. … Each composer provides a few…
Fanfare Says The Poetry of Places is “Not To Be Missed”
Fanfare Magazine highlights Nadia Shpachenko’s The Poetry of Places recording in their online “Not To Be Missed” section: “The idea of reacting to spaces is the thread that snakes through this fascinating recital. Programming is clearly a strength of Shpachenko, as her disc Quotations & Homages spoke of a similarly adventurous spirit. The superbly produced booklet gives fine background information to the pieces and composers, in tandem with a selection of photographs worth the price of…
Cinemusical Review for The Poetry of Places
The Cinemusical blog gives full marks to Nadia Shpachenko’s The Poetry of Places recording: “The Poetry of Places is a truly fascinating collection of original music for piano that demonstrates a great variety of approaches. The thematic thread that runs through the album helps create a secondary connection to the music and invites the listener in on a journey through these different spaces. Shpachenko’s technical virtuosity is on display throughout here. She is very adept…
Sequenza 21 Reviews The Poetry of Places
Paul Muller reviews Nadia Shpachenko’s new recording, The Poetry of Places for Sequenza 21: “The playing here is crisp and seamlessly coordinated, even as the rapidly complex phrases seem to explode into motion at every moment. Frank’s House is a wild musical ride through an artistic mind unburdened by limitations. … Harold Metzer’s In Full Sail for solo piano … smoothly alternates between the serious and the sprightly, with lighthearted stretches bubbling up from under the darker…