Archive for The ArtsDesk
The Arts Desk Reviews Carlisle Floyd’s Wuthering Heights Recording
“…Cathy’s ghostly offstage voice in the Prologue soon had me hooked, Heathcliff’s passionate, florid response utterly in keeping with the novel’s spirit.… Georgia Jarman and Kelly Markgraf as the doomed couple are terrific, Markgraf’s testosterone-rich baritone a stark contrast to Vale Rideout’s insipid Edgar Linton. Chad Shelton’s Hindley is suitably brutish. Diction is clear, the English accents pretty decent. Repeated listenings reveal a myriad of instrumental details, like the rude trombone glissandi during Joseph’s tedious…
Pittsburgh Symphony Tchaikovsky/Dvořák is “Outstanding”
“Any new disc from this particular team is usually an event, and this one keeps up the trend. It’s unusual to find a leading conductor who doesn’t seem set on setting down complete cycles of everything. Manfred Honeck’s discography is highly selective, and all the better for it.… Honeck’s careful handling of Tchaikovsky’s dynamic markings pays enormous dividends. Some passages exist on the very edge of audibility and the ffff explosions will rattle your sash…
Beethoven an Arts Desk Best of 2015
The Arts Desk has named their Best Classical CDs of 2015 and the Pittsburgh Symphony Orchestra’s new Beethoven: Symphony Nos. 5 & 7 has made the list: “Beethoven liked large-scale performances and he’d presumably have approved of Manfred Honeck’s Pittsburgh Symphony Orchestra performances of Symphonies 5 and 7. This is sensational orchestral playing, beautifully recorded, and these readings have an irresistible sweep and grandeur. One of those rare CDs which should leave you speechless after…
Pittsburgh Symphony Beethoven “as an anti-depressant”
Graham Rickson reviews the new Pittsburgh Symphony Orchestra and Manfred Honeck Beethoven Symphony Nos. 5 & 7 recording for The Arts Desk: “These performances, though never sluggish, are huge. In the best possible way. Their grandeur is irresistible, reminding us just how rare large-scale, modern instrument performances are. We know that Beethoven preferred big orchestras. He’d presumably have loved this disc. … Glorious. As is this Seventh, the Vivace’s rhythms enunciated with impeccable clarity. ……
The Arts Desk Reviews the Utah Symphony’s Mahler Symphony No. 1
The Arts Desk critic Graham Rickson has a new review of Thierry Fischer and the Utah Symphony’s Mahler: Symphony No. 1 recording: “Wonderfully played too, by an orchestra many won’t have heard of, under a conductor usually associated with French repertoire. Readers with long memories may remember a pioneering 1960s and 1970s Mahler cycle recorded by the Utah Symphony under Maurice Abravanel, frustratingly difficult to find now. Abravanel’s zeal compensated for the occasional lapses in…
The Arts Desk Recommends Kansas City Symphony’s Saint-Saëns
Graham Rickson of The Arts Desk listens to the new Kansas City Symphony Saint-Saëns recording: “Saint-Saëns’s La Muse et le Poéte is the rarity here, a 15-minute piece for violin, cello and orchestra. A mixture of symphonic poem and concerto, it’s a real find. Muse and poet are represented by rhapsodic violin solo and an earthier cello, and the two voices slowly find a way to work together. It’s impeccably structured, brilliantly orchestrated and highly…
The Arts Desk Says Honeck is “At It Again”
The Arts Desk‘s Graham Rickson named the Pittsburgh Symphony’s Dvořák/Janáček recording a “Best of 2014”, so how does the new Bruckner SACD stack up? “Manfred Honeck’s at it again. Changing dynamics, tampering with tempo markings, adjusting balances. But when the results feel so idiomatically right, only a chump would object. … Start noting down the high spots and you’ll need several sheets of paper. … This is a great performance, exactly the sort of disc…
Dvořák & Janáček a Best of 2014
Graham Rickson of The Arts Desk names Manfred Honeck and the Pittsburgh Symphony Orchestra’s Dvořák/Janáček SACD a “Best of 2014”! “My favourite CD of the year, and one of the best recordings you’ll ever hear, is Manfred Honeck’s Pittsburgh Symphony performance of Dvořák’s 8th Symphony. …it’s rarely been dispatched with this much polish, or directed with such a winning combination of smartness and fun. … If this disc doesn’t make you dance around the room,…
The Arts Desk Says Dvořák & Janáček is “Beyond Criticism”
The Arts Desk‘s Graham Rickson has a new rave for the Pittsburgh Symphony Orchestra and Manfred Honeck’s latest FRESH! From Reference Recordings SACD: “Dvořák’s…Eighth [symphony] is the most radical, and Manfred Honeck’s remarkable performance highlights its originality in some style. …[Honeck] justifies every interpretive decision in his sleeve notes, and the musical results are pretty special. … What follows is electrifying – an exuberant adrenalin rush… Reach the close, and you’ll hopefully be awestruck. Cheap…
The Arts Desk Reviews Miraculous Metamorphoses
The Arts Desk‘s Graham Rickson has a new rave for Kansas City Symphony’s Miraculous Metamorphoses recording: “If you’re not familiar with the [Symphonic Metamorphosis of Themes by Carl Maria von Weber] piece, start here. … Michael Stern’s Kansas City Symphony performance shows what can be achieved when a band on inspired form makes the effort to play what’s actually written. …It sparkles, abounding in oft-hidden detail. … And I’ve never enjoyed the chirping winds which…
ArtsDesk Reviews PSO Strauss
Graham Rickson of The Arts Desk has calls the new Pittsburgh Symphony Orchestra recording a “magnificent achievement.” “There’s an incredible elasticity and flexibility at work here. Manfred Honeck’s interventionist, hyper-romantic approach to three of Strauss’s most accessible tone poems pays enormous dividends…Everything sounds stupendous – this has to be the best-played, best-recorded Strauss anthology for years… Honeck’s players project with such chutzpah that any resistance is futile. A magnificent achievement.” —Graham Rickson, The Arts Desk…
The Arts Desk Reviews Bizet
Graham Rickson of theartsdesk.com has a great new review for our San Francisco Ballet Orchestra Bizet release: “So it makes perfect sense for a crack ballet orchestra to record the work and Martin West’s San Francisco Ballet forces play the work beautifully; this disc oozes frothy joie de vivre. Musically there’s little to surprise, but the symphony does it what it does with swaggering confidence and bucketloads of brio. It’s a work which will raise…
The ArtsDesk Praises Kansas City Symphony Elgar/Vaughan Williams
Kansas City Symphony’s Elgar/Vaughan Williams recording continues to bring in rave reviews! The ArtsDesk‘s Graham Rickson has a new review and places the recording in his end-of-year Top 10 list: “This is an exceptional disc in so many ways. The Kansas orchestral playing is flamboyant, assured, but always affectionate, and the recorded sound is possibly the most realistic I’ve come across. “The engineering really does serve the music, lending additional colour and warmth to Michael…