Archive for The Poetry of Places
The Poetry of Places Wins 2020 GRAMMY® Award!
GRAMMY® Winner: Classical Compendium Reference Recordings would like to congratulate Nadia Shpachenko, producers Victor and Marina A. Ledin, and recording engineer Barry Werger-Gottesman on their 2020 GRAMMY® Award for Best Classical Compendium for The Poetry of Places! The Poetry of Places Nadia Shpachenko’s latest Reference Recordings release The Poetry of Places features World Premiere recordings of works for solo piano, for two pianos, percussion, electronics, voice, and toy piano in a fascinating mélange inspired by great architecture…
Announcing Eleven 2020 GRAMMY® Nominations!
Reference Recordings is excited to announce eleven nominations across eight categories for the 2020 GRAMMY® Awards! The Orchestral Organ 2020 GRAMMY® Award Nominee: Best Immersive Audio Album Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers (Jan Kraybill) Best Classical Instrumental Solo Jan Kraybill Producer of the Year, Classical Marina A. Ledin, Victor Ledin Bruckner: Symphony No. 9 2020 GRAMMY® Award Nominee:…
Nadia Shpachenko Presents The Poetry of Places Release Concert on June 18, 2019
June 18, 2019 at San Francisco’s Center for new Music, pianist Nadia Shpachenko presents works from her recording The Poetry of Places and more. Details What: The Poetry of Places Album Release Concert When: June 18, 2019 at 7:30pm Where: Center for New Music, 55 Taylor St, San Francisco, CA 94102 How: Tickets at CenterForNewMusic.com Program Harold Meltzer: “In Full Sail” for solo piano San Francisco Premiere Jack Van Zandt: “Sí an Bhrú” for piano…
You Really Shouldn’t Miss The Poetry of Places
Nadia Shpachenko’s The Poetry of Places has been added a SECOND time to Fanfare Archive’s “Not To Be Missed” section of their website after the publishing of a new review by Peter Burwasser: “As was the case with Nadia Shpachenko’s previous Reference Recordings project, Quotations and Homages, this release features a broad range of contemporary voices, with a scintillating mix of daring sound, genuine beauty, and a commodity too often missing from the new music world:…
Textura Sees Nadia Shpachenko Recordings as Trilogy
Textura Magazine’s new review of Nadia Shpachenko’s The Poetry of Places places it in context with her previous FRESH! From Reference Recordings releases: “The Poetry of Places could easily pass for the final part of a trilogy, so complementary is it to Nadia Shpachenko’s previous Reference Recordings releases, Woman at the New Piano (2014) and Quotations & Homages (2018). In all three cases, the intrepid pianist tackles challenging new works by a host of innovative composers, and while the…
The Poetry of Places is an Engaging Disc
The Whole Note‘s April 2019 “Keyed In” section of reviews for piano releases by critic Alax Baran features Nadia Shpachenko’s The Poetry of Places recording: “The variety of this repertoire is remarkable. Shpachenko performs a veritable tour of structures ancient and modern, producing extraordinary colours and textures from her Steinway D. Her composers sometimes add a second piano, voice, a toy piano, percussion and electronics to build their works. … Each composer provides a few…
The Poetry of Places is a Celebration of New Music!
Rafael’s Music Notes reviews Nadia Shpachenko’s The Poetry of Places recording: “The Poetry of Places…is a celebration of new music featuring a formidable pianist in the company of top practitioners in the field. … Throughout The Poetry of Places, Nadia Shpachenko valiantly navigates the now tranquil, now tumultuous waters of eight new works, six of them commissioned by and dedicated to her. … Set aside for a moment the technique and musicianship it takes to learn…
Fanfare Says The Poetry of Places is “Not To Be Missed”
Fanfare Magazine highlights Nadia Shpachenko’s The Poetry of Places recording in their online “Not To Be Missed” section: “The idea of reacting to spaces is the thread that snakes through this fascinating recital. Programming is clearly a strength of Shpachenko, as her disc Quotations & Homages spoke of a similarly adventurous spirit. The superbly produced booklet gives fine background information to the pieces and composers, in tandem with a selection of photographs worth the price of…
Cinemusical Review for The Poetry of Places
The Cinemusical blog gives full marks to Nadia Shpachenko’s The Poetry of Places recording: “The Poetry of Places is a truly fascinating collection of original music for piano that demonstrates a great variety of approaches. The thematic thread that runs through the album helps create a secondary connection to the music and invites the listener in on a journey through these different spaces. Shpachenko’s technical virtuosity is on display throughout here. She is very adept…
Sequenza 21 Reviews The Poetry of Places
Paul Muller reviews Nadia Shpachenko’s new recording, The Poetry of Places for Sequenza 21: “The playing here is crisp and seamlessly coordinated, even as the rapidly complex phrases seem to explode into motion at every moment. Frank’s House is a wild musical ride through an artistic mind unburdened by limitations. … Harold Metzer’s In Full Sail for solo piano … smoothly alternates between the serious and the sprightly, with lighthearted stretches bubbling up from under the darker…
The Poetry of Places is “Marvellous”
Critic Dean Frey reviews Nadia Shpachenko’s The Poetry of Places recording on his Music for Several Instruments blog: “…this marvellous disc from pianist Nadia Shpachenko…music [interacts] with a wide range of human activities: fine and applied arts (architecture and design), the heritage arts and the natural world. … I happen to share a fondness for and a deep admiration of some of the architects of these special places, especially Frank Gehry and Louis Kahn. But…
The Poetry of Places is Now Available!
Nadia Shpachenko’s latest Reference Recordings release The Poetry of Places features World Premiere recordings of works for solo piano, for two pianos, percussion, electronics, voice, and toy piano in a fascinating mélange inspired by great architecture and places. The eight compositions monumentalize places as wildly diverse as the Copland House in Cortlandt, NY, The American Visionary Art Museum in Baltimore, Louis Kahn’s National Assembly Buildings in Bangladesh, Newgrange Ancient Temple in Ireland, and Frank Gehry’s House in…
The Poetry of Places – Harold Meltzer: In Full Sail
Harold Meltzer: In Full Sail for solo piano (2016) For years I have been taking walks in Manhattan through Chelsea, along the High Line park, or to take my son to summer camp by the Hudson River. Regularly they bring me past the curved white glass facade of Frank Gehry’s IAC Building, which, according to a critic, “gives the appearance of a tall ship in full sail.” I began to imagine the building launching from…