Pittsburgh Symphony Orchestra’s Beethoven: Symphony No. 6 and Stucky: Silent Spring Nominated for Engineering GRAMMY®
We are thrilled to share that Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven: Symphony No. 6 and Stucky: Silent Spring was nominated for a 2023 GRAMMY® Award in the Best Engineered Album, Classical category! Congratulations to engineer Mark Donahue on his nomination! “Throughout the symphony, passion is omnipresent, be it in a positive or ominous posture. Honeck unravels with his musicians to infinite perfection a modern version of a symphony that is all too…
Two 2023 International Classical Music Awards Nominations!
We are thrilled to share that the International Classical Music Awards have nominated two of our recordings in the 2023 ICMAs! The final result with all winners will be announced on January 18, 2023, and the Award Ceremony and Gala concert will take place in Wrocław, Poland on April 21, hosted by the NFM Philharmonic. Nominations Symphonic Music Manfred Honeck & Pittsburgh Symphony Contemporary Music Martin West & the San Francisco Ballet Orchestra
Migration in Gramophone’s November Issue!
Gramophone Magazine’s Christian Hoskins reviews the University of Texas and Jerry Junkin’s Migration recording in the November 2022 issue: This generously filled album brings together four works by contemporary American composers either scored or adapted for wind ensemble. Adam Schoenberg’s Second Symphony is a programmatic piece inspired by his wife’s family’s migration to the United States. The first of its five movements, ‘March’, with its imposing brass statements and busy percussion, communicates the tension that…
All About the Arts Previews Reencuentros
Rafael de Acha previews and reviews Cecilia Duarte’s Reencuentros recording on All About the Arts: “Cecilia Duarte gives renewed life to a dozen Latin American songs… the profound meditation on the end of life Alfonsina y el Mar, arranged by David Scanlon for his string bass as the sole accompaniment to Duarte in a posthumous homage to the Argentine poetess Alfonsina Storni, follow each other in impressive succession evidencing Cecilia Duarte’s beautiful voice and her impeccably…
Textura Reviews Migration
Textura Magazine gives The University of Texas Wind Ensemble and Jerry Junkin’s Migration album a warm review: “Expertly helmed by Jerry Junkin, The University of Texas Wind Ensemble has been commissioning new music and performing world premieres for more than three decades. …Migration is very much characteristic of Schoenberg’s music and shows why he’s been twice named one of the most performed living composers by orchestras in the United States.… In [Corigliano’s] dazzling set-piece, Gunn glides…
Invasion is Not To Be Missed
Huntley Dent has added Nadia Shpachenko’s Invasion: Music and Art for Ukraine to Fanfare‘s “Not To Be Missed” list! “Calling upon her friend and sometime collaborator, Pulitzer Prize-winning composer Lewis Spratlan, Shpachenko commissioned Invasion, which is scored for piano and chamber ensemble. My expectations of grim, angry music were overturned by Invasion, whose three sections, lasting 12 minutes, don’t echo the stark bleakness of wartime Shostakovich, or any other war music I can think of. Instead, Spratlan…
Migration is Not To Be Missed!
Huntley Dent has a second Fanfare rave review for the University of Texas Wind Ensemble and Jerry Junkin’s Migration recording in the Not To Be Missed Section: “This is an eye-opening release… There is no air of elitism around this collection, thankfully. The splendid sound of a large wind orchestra (the UT Wind Ensemble, at 65 strong, ranks as an orchestra to me) doesn’t immediately connote a piece as sophisticated as Corigliano’s brilliant Clarinet Concerto,…
Five Star Fanfare Review for Migration
Fanfare‘s Mark Novak gives the University of Texas Wind Ensemble’s Migration recording a Five Star Review and places it in the “Not To Be Missed” section! “This is an outstanding compilation of music for wind ensemble by four living American composers. The first accolade goes to Reference Recordings and their superbly excellent recording which can be heard even with standard CD resolution. The dynamic range is wide, the impression of being present in the hall…
AllMusic Gives Four Stars to Migration
AllMusic‘s Keith Finke gives a four-star review to the University of Texas Wind Ensemble and Jerry Junkin’s Migration recording: “[Adam] does well in conveying his program (Migration), particularly in the “Dreaming” movement and the rhythmic propulsion and tension found in “Escape.” Many of the solo passages and harmonies push the players right to the edge of their abilities.… [Craig] Davis’ [Corigliano Concerto for Clarinet] transcription rightly honors the composer’s original vision by retaining the violin; [Clarinetist…
Doug MacLeod and Jim Gaines Nominated for 2022 Blues Blues Blast Music Awards
In June 2022, a group of music critics, journalists, festival promoters, music venue managers, musicians and other Blues music industry professionals nominated the best in Blues music in twenty-two categories for the 15th Annual Blues Blast Music Awards. We are thrilled to share that Doug MacLeod has been nominated for the Acoustic Guitar Award, and Jim Gaines (A Soul to Claim) has been nominated for the Producer Award! Voting begins Tuesday, July 12th at BluesBlastMagazine.com!…
Audiophile Audition Reviews Lowell Liebermann’s Frankenstein
Steven Ritter gives four stars to San Francisco Ballet Orchestra’s recording of Lowell Liebermann: Frankenstein in Audiophile Audition: “The San Francisco Ballet Orchestra plays wonderfully with great tone, exemplary dynamic range and a genuine sensitivity to the changes in color and emotion found in this work, which are considerable. The recording is superb—everything is captured on the broadest of sound stages with great depth and presence. Musically, the piece is extraordinary, tuneful, full of expression,…
Classical Music Sentinel Review for Pittsburgh Symphony’s Beethoven and Stucky Recording
Jean-Yves Duperron reviews the Pittsburgh Symphony Orchestra and Manfred Honeck’s Beethoven: Symphony No. 6 and Stucky: Silent Spring recording on Classical Music Sentinel: “This ‘live’ performance by the Pittsburgh Symphony Orchestra under the direction of conductor Manfred Honeck of the iconic Symphony No. 6 in F Major, Op. 68, “Pastoral” by Ludwig van Beethoven (1770-1827), is nothing if not light-footed and yet muscular, airy and yet intricately detailed, naïvely good-natured and yet deeply expressive. Could it be that they’ve hit upon its spiritual…
Downbeat Magazine Gives Four Stars to Doug MacLeod’s “A Soul To Claim”
Doug MacLeod’s A Soul To Claim received a four-star review in the July 2022 issue of Downbeat Magazine: “Doug MacLeod’s A Soul To Claim, like many of his 21 previous albums, makes it clear that he’s an archetype of the top-level blues storyteller: wry, sharp-witted, virile, inclined to poke fun at sentiment.… MacLeod bestows his music with a human intimacy that’s a function of his affable personality and the original material he works with. With…
Atlanta Audio Club Reviews Beethoven Symphony 6 and Stucky: Silent Spring
Phil Muse’s Atlanta Audio Club Mid-Summer Classical Reviews Column features Manfred Honeck and the Pittsburgh Symphony’s Beethoven: Symphony No. 6 & Stucky: Silent Spring: “What better choice for summertime listening than Beethoven’s time-tested ‘Pastorale’? … Quick but soul-satisfying pacing by conductor and orchestra makes it all come together. … Stucky pays respect to Carson’s dark, uncompromising vision of environmental destruction in musical terms that are positively chilling.… disspirited birdsong in haunting brass and reeds, relentless…
The Arts Fuse Hails Pittsburgh Symphony’s Beethoven Symphony 6 as “Another Winner”
The Arts Fuse‘s Jonathan Blumhofer gives a warm recommendation to Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven & Stucky recording: “The Pittsburgher’s performance is nothing if not very well balanced and strongly colored. Solos short and long – for tuba, contrabassoon, and English horn, among them – are all well done. And the orchestra has clearly got a firm grasp on Stucky’s highly intellectual (but still accessible) personal style. … it’s forceful, well-written music and…