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2022 GRAMMY® Nominations!
Reference Recordings is excited to announce multiple nominations for the 2022 GRAMMY® Awards! Best Orchestral Performance Beethoven: Symphony No. 9 Manfred Honeck, conductor (Mendelssohn Choir of Pittsburgh & Pittsburgh Symphony Orchestra) Best Engineered Album, Classical Beethoven: Symphony No. 9 Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh & Pittsburgh Symphony Orchestra) Congratulations to all involved in this double-nominated album!!! Producer of the Year, Classical David Frost Congratulations to producer David…
Gramophone Reviews Pittsburgh Symphony’s Brahms & MacMillan
The November issue of Gramophone features a great review for the Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 & MacMillan: Larghetto for Orchestra: “This latest release presents subtly incendiary Brahms alongside an utterance of radically different stripe. … The main work transmits an impression of interpretative renewal. Though capable of cushioned ‘European’ warmth, the Pittsburgh Symphony has a cleaner, brighter edge than traditionally associated with big-band Brahms.… As ever articulation is precisely honed,…
New York Times Names Pittsburgh Symphony’s Brahms And MacMillan as a Must Hear
The New York Times has just published a list of “Five Classical Albums to Hear Right Now” and number one on the list is the Pittsburgh Symphony Orchestra and Manfred Honeck’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra! “these forces have been setting new standards in the standards, their records combining astonishing playing… Right on cue, their new album offers James MacMillan’s gnarly-to-seraphic Larghetto for Orchestra, atmospherically adapted from his choral “Miserere” for its premiere in…
Audiophile Audition Gives Five Stars to Manfred Honeck and Pittsburgh Symphony’s Brahms & MacMillan Album!
Audiophile Audition critic Steven Ritter gives a five-star review to Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4; MacMillan: Larghetto for Orchestra recording: “Certainly, the last movement of the Fourth Symphony is the orchestral pinnacle of the age in relation to the variation form. … It is this last movement to which the entire symphony is directed, and its success depends on how well the previous movements are balanced. … Many conductors…
Early Music America Has a Rave for Stylus Phantasticus!
Early Music America has a new rave review for Pacific MusicWorks and Tekla Cunningham’s Stylus Phantasticus album: “There’s a passage in Johann Heinrich Schmelzer’s Violin Sonata No. 4, the central work in his Sonatae unarum fidium, that both meets and defies expectations. The violin melody hovers over soft organ chords, knotting itself in quick mordents before rushing downwards in a wild frenzy. Yet there is always a sense of songlike expressivity, the musical line present even in…
Stylus Phantasticus Reviewed in Audiophile Audition
Tekla Cunningham and Pacific MusicWorks’ Stylus Phantasticus recording gets a wonderful new review in Audiophile Audition from critic Fritz Balwit: “The ensemble features both baroque guitar and chitarrone of the leader Stephen Stubbs and the rare and remarkable baroque harp of Maxine Eilander. Both together and separately these delicate instruments are very nicely captured. More than anything else on this recording they bathe the ear in a new sonority within the baroque style. Those instruments blend…
Five Stars for One Movement Symphonies from BBC Music Magazine
Michael Stern and the Kansas City Symphony’s One Movement Symphonies recording gets a Five Star review from BBC Music Magazine: “this orchestra offers here a classy standard of playing, plus the conductor-and-orchestra chemistry that’s needed to generate musical results as memorable as these, and in three very different works. … The Kansas players respond superbly to [Samuel Barber’s] virtuoso drive and momentum, with a burnished fullness of tone which also brings out the best qualities…
The Arts Fuse Wants a Sequel to One Movement Symphonies
Michael Stern and the Kansas City Symphony’s new One Movement Symphonies album left The Arts Fuse’s Jonathan Blumhofer asking for a sequel, or even a whole series: “Michael Stern’s new recording with the Kansas City Symphony (KCS) celebrates a subgenre one probably doesn’t think about all that much: the single-movement symphony. Given the rewards of this album, which showcases symphonic works by Samuel Barber, Jean Sibelius, and Alexander Scriabin, perhaps one should. … Stern and his forces…
All Music Reviews José Serebrier’s Last Tango Before Sunrise
James Manheim gives a 4.5 Star Rating to José Serebrier’s Last Tango Before Sunrise recording on AllMusic.com: “The works on the album stretch from [1957] all the way up to 2018 for the titular Last Tango Before Sunrise, but there is general stylistic consistency among them, although the sense of tonality varies. All are infused with Latin American rhythms, either the tango, as characteristic of Serebrier’s native Uruguay as it is of Argentina, or from Afro-Brazilian…
Fiona Boyes and Blues In My Heart Nominated for Blues Blast Music Awards!
In June 2021, a group of Blues music industry professionals including music critics, journalists, festival promoters, music venue managers, producers, musicians and other Blues music industry professionals nominated the best in Blues music in twelve categories. We are excited to share that Fiona Boyes was nominated for Female Artist of the Year and her Blues In My Heart album was nominated for the Historical/Vintage Recording of the year! Fan voting for the award is open…
Textura Reviews One Movement Symphonies
Textura Magazine reviews the Kansas City Symphony and Michael Stern’s recording of Barber, Sibelius, and Scriabin One Movement Symphonies: “While each piece satisfies for different reasons, the fact that each can be experienced as a singular statement without pause is an appealing quality common to all. That they’re all performed by the Kansas City Symphony under the expert guidance of conductor Michael Stern also does much to recommend the release, as does its acoustically resonant…
One Movement Symphonies Gets Five Stars from Audiophile Audition!
Gary Lemco gives a ⭐️⭐️⭐️⭐️⭐️ review to Michael Stern and the Kansas City Symphony’s One Movement Symphonies recording on Audiophile Audition: “The Kansas City Symphony brass prove especially resonant in their dark coloration… The Kansas City Symphony lushly blends the powerful [Barber] Finale, sustaining the Romantic ethos of the material, weaving all three tunes together and concluding with a jubilant, energetic thrust of youthful confidence. … The sense of improvisational freedom fused with a volcanic…
Four Star Pizzicato Review for José Serebrier’s Last Tango Before Sunrise
Remy Franck gives four stars to the new release of José Serebrier: Last Tango Before Sunrise on Pizzicato Magazine: “The earliest work is the Piano Sonata of 1957, influenced by Latin American rhythms… and played powerfully and with verve by Nadia Shpachenko. The most recent piece is the title track Last Tango Before Sunrise from 2018, and just like the other dance movements on this CD, it offers inspiredly composed music with distinctive melodies and…
Audiophile Audition Gives Five Stars to Beethoven Symphony No. 9
The Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9 gets a five-star rave from Audiophile Audition: “This disc should come with a warning label. Why? Because it is easily the most intense Ninth I have ever heard. This is not a criticism, only a fact. … The wonderful last movement gives us a truly joyful and energetic flow of consolation and satisfaction, jam-packed with intensity and far, far away from the “joyful,…
MusicWeb International Offers a Third Rave for Jonathan Leshnoff’s Symphony No. 3 & Piano Concerto
Following a Recording of the Month distinction and a fantastic new interview, Michael Wilkinson joins the chorus of MusicWeb International critics in praising Jonathan Leshnoff: Symphony No. 3; Piano Concerto recording with the Kansas City Symphony, Michael Stern, Joyce Yang, and Stephen Powell: “When first heard, Leshnoff provides music overwhelmingly tonal, rich in melody, with a confident momentum. It is exciting in both variety of timbres and in its immediacy. Repeated hearings reveal new depths…