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Fiona Boyes and Blues In My Heart Nominated for Blues Blast Music Awards!
In June 2021, a group of Blues music industry professionals including music critics, journalists, festival promoters, music venue managers, producers, musicians and other Blues music industry professionals nominated the best in Blues music in twelve categories. We are excited to share that Fiona Boyes was nominated for Female Artist of the Year and her Blues In My Heart album was nominated for the Historical/Vintage Recording of the year! Fan voting for the award is open…
Textura Reviews One Movement Symphonies
Textura Magazine reviews the Kansas City Symphony and Michael Stern’s recording of Barber, Sibelius, and Scriabin One Movement Symphonies: “While each piece satisfies for different reasons, the fact that each can be experienced as a singular statement without pause is an appealing quality common to all. That they’re all performed by the Kansas City Symphony under the expert guidance of conductor Michael Stern also does much to recommend the release, as does its acoustically resonant…
One Movement Symphonies Gets Five Stars from Audiophile Audition!
Gary Lemco gives a ⭐️⭐️⭐️⭐️⭐️ review to Michael Stern and the Kansas City Symphony’s One Movement Symphonies recording on Audiophile Audition: “The Kansas City Symphony brass prove especially resonant in their dark coloration… The Kansas City Symphony lushly blends the powerful [Barber] Finale, sustaining the Romantic ethos of the material, weaving all three tunes together and concluding with a jubilant, energetic thrust of youthful confidence. … The sense of improvisational freedom fused with a volcanic…
Four Star Pizzicato Review for José Serebrier’s Last Tango Before Sunrise
Remy Franck gives four stars to the new release of José Serebrier: Last Tango Before Sunrise on Pizzicato Magazine: “The earliest work is the Piano Sonata of 1957, influenced by Latin American rhythms… and played powerfully and with verve by Nadia Shpachenko. The most recent piece is the title track Last Tango Before Sunrise from 2018, and just like the other dance movements on this CD, it offers inspiredly composed music with distinctive melodies and…
Audiophile Audition Gives Five Stars to Beethoven Symphony No. 9
The Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9 gets a five-star rave from Audiophile Audition: “This disc should come with a warning label. Why? Because it is easily the most intense Ninth I have ever heard. This is not a criticism, only a fact. … The wonderful last movement gives us a truly joyful and energetic flow of consolation and satisfaction, jam-packed with intensity and far, far away from the “joyful,…
MusicWeb International Offers a Third Rave for Jonathan Leshnoff’s Symphony No. 3 & Piano Concerto
Following a Recording of the Month distinction and a fantastic new interview, Michael Wilkinson joins the chorus of MusicWeb International critics in praising Jonathan Leshnoff: Symphony No. 3; Piano Concerto recording with the Kansas City Symphony, Michael Stern, Joyce Yang, and Stephen Powell: “When first heard, Leshnoff provides music overwhelmingly tonal, rich in melody, with a confident momentum. It is exciting in both variety of timbres and in its immediacy. Repeated hearings reveal new depths…
BBC Music Magazine Gives Five Stars to Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9
The April issue of BBC Music Magazine features a Five-Star Review for the Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9: “an impressive account of this huge work that seems bent on marking itself as the unassailable definition of ‘monumental’. In terms of sound and precision, the performance is meticulous, immaculate and even. That’s not to say that Honeck doesn’t occasionally play a little loose. … Honeck choreographs the gradual build of…
TheaterByte Gives Manfred Honeck’s Beethoven Symphony No. 9 its Highest Recommendation
TheaterByte‘s Lawrence Devoe puts Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven Symphony No. 9 recording at the top of his list: “A thrilling performance of Beethoven’s crowning symphonic achievement by Manfred Honeck and his Pittsburgh Symphony Orchestra that in terms of sound and musical execution goes to the top of my list of recordings of this venerable work. Maestro Manfred Honeck is in his twelfth season as music director of one of America’s top-tier…
Kansas City Symphony’s Leshnoff Album is a MusicWeb International Recording of the Month!
MusicWeb International names the Kansas City Symphony Orchestra’s recording of Jonathan Leshnoff: Piano Concerto; Symphony No. 3 with Joyce Yang and Stephen Powell a February 2021 Recording of the Month! “Both are world-premiere recordings, the symphony set down a week after its premiere performance in 2016, while the Concerto was recorded live at its premiere in November 2019, and both are treated to excellent orchestral playing, as well as superb sonics from Reference Recordings –…
Manfred Honeck Discusses Beethoven Symphony No. 9 with The New York Times
Don’t miss this incredible look at Beethoven’s Symphony No. 9 with Manfred Honeck and New York Times critic David Allen! See it on nytimes.com “Manfred Honeck is one of today’s leading Beethoven conductors. As music director of the Pittsburgh Symphony Orchestra, he has created notably exciting recordings of the Third, Fifth and Seventh Symphonies. Now he and the orchestra, founded 125 years ago this month, are releasing their interpretation of the mighty Ninth. What makes Honeck’s approach so…
Atlanta Audio Society Reviews Kansas City Symphony’s Leshnoff Recording
Phil Muse reviews The Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang’s recording of Leshnoff: Symphony No. 3; Piano Concerto in the Atlanta Audio Society‘s December Newsletter: “Once again, an exploration of the music of American composer Jonathan Leshnoff proves rewarding. … What makes this composer so distinguishable from his contemporaries is easy to divine: it is the concentrated emotion, the lyricism, cohesive construction, and economy of his music. In the last-cited, Leshnoff…
Living Blues Reviews Fiona Boyes Blues in My Heart
Living Blues reviews Fiona Boyes’ 20th Anniversary Digitally Remastered release, Blues in my Heart: “One listen, and well, yeah, she’s blues alright, that and then some. There are not enough acoustic blues women, and even less who compose their own songs at her level. She graces the genre with the remastered 20th anniversary edition of her first solo recording, Blues in My Heart. Listeners will appreciate the generous helping of 18 songs on this CD,…
Carlisle Floyd: Prince of Players Receives Two 2021 GRAMMY® Nominations
The 2021 GRAMMY® Award Nominations were announced today and Reference Recordings releases appeared on four nominations! 2021 GRAMMY® Nominations for RR releases: Best Opera Recording Carlisle Floyd: Prince Of Players — William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus) Best Contemporary Classical Composition Carlisle Floyd: Prince Of Players — Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra) Producer of the Year, Classical…
Rafael’s Music Notes Reviews The Kansas City Symphony’s Leshnoff Recording!
The first review is in for the Kansas City Symphony, Michael Stern, Stephen Powell, and Joyce Yang’s Leshnoff World Premiere Recordings! “Thanks to various CD’s released by Reference Recordings, I have become an admirer of the music of American composer Jonathan Leshnoff. … The impressive lineup of soloists and the sterling work of the Kansas musicians numbers immense artistic rewards in this treasure of a recording, impeccably engineered and produced by Dirk Sobatka of Soundmirror. ……
The Train of Change
The song “The Train of Change” was being born around 2007 in Costa da Caparica Portugal, before President Obama was elected. During this European tour I saw hope, love, joy, and a vision of peace just about everywhere I went. President Obama served two terms and this song slowly drifted from my awareness. Then with the killing of George Floyd, I saw America rise up and say ‘Enough Is Enough’! I watched as so many…