Archive for Manfred Honeck – Page 3
Gramophone Reviews Pittsburgh Symphony’s Brahms & MacMillan
The November issue of Gramophone features a great review for the Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 & MacMillan: Larghetto for Orchestra: “This latest release presents subtly incendiary Brahms alongside an utterance of radically different stripe. … The main work transmits an impression of interpretative renewal. Though capable of cushioned ‘European’ warmth, the Pittsburgh Symphony has a cleaner, brighter edge than traditionally associated with big-band Brahms.… As ever articulation is precisely honed,…
Culture Spot LA Reviews Brahms & MacMillan
Henry Schlinger reviews Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra in Culture Spot LA: “Opening and listening to a new CD by Manfred Honeck and the Pittsburgh Symphony Orchestra is always exciting because although I never know exactly how Honeck will interpret a work, especially a warhorse that has been recorded too many times to count, I know there will be some surprises. In the PSO’s latest recording of…
New York Times Names Pittsburgh Symphony’s Brahms And MacMillan as a Must Hear
The New York Times has just published a list of “Five Classical Albums to Hear Right Now” and number one on the list is the Pittsburgh Symphony Orchestra and Manfred Honeck’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra! “these forces have been setting new standards in the standards, their records combining astonishing playing… Right on cue, their new album offers James MacMillan’s gnarly-to-seraphic Larghetto for Orchestra, atmospherically adapted from his choral “Miserere” for its premiere in…
CVNA Hails Pittsburgh Symphony’s Brahms & MacMillan as a Spectacular Achievement
Classical Voice North America has a new rave review for the Pittsburgh Symphony and Manfred Honeck’s recording of Brahms: Symphony No. 4 and James MacMillan: Larghetto for Orchestra: “Honeck begins Brahms’ Fourth Symphony by lingering on the upbeat, emphasizing the way the first two notes can sound like a sigh. Those two notes are immediately inverted, so goodbye temporarily to the sigh, but Honeck’s rhetorical gesture establishes a certain wistfulness characteristic of Brahms’ first two…
Pittsburgh Symphony’s Brahms & MacMillan is “Top Notch”
The Classical Music Sentinel reviews Pittsburgh Symphony and Manfred Honeck’s Brahms: Symphony No. 4 & James MacMillan: Larghetto for Orchestra recording: “In the beautiful [Symphony No. 4] Andante moderato… Honeck’s focus and attention are diverted to the charm of the orchestration. The lush string writing around the 8:00 minute mark, and the many fine moments in which the Pittsburgh woodwind section shines through. The boisterous and ebullient character of the following movement is well projected in…
Audiophile Audition Gives Five Stars to Manfred Honeck and Pittsburgh Symphony’s Brahms & MacMillan Album!
Audiophile Audition critic Steven Ritter gives a five-star review to Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4; MacMillan: Larghetto for Orchestra recording: “Certainly, the last movement of the Fourth Symphony is the orchestral pinnacle of the age in relation to the variation form. … It is this last movement to which the entire symphony is directed, and its success depends on how well the previous movements are balanced. … Many conductors…
Stereophile Review for Beethoven: Symphony No. 9
Stephen Francis gives 4.5 Stars to Manfred Honeck and the Pittsburgh Symphony Orchestra’s recording of Beethoven Symphony No. 9 in Stereophile: “From Reference Recordings, we can count on pellucid sonics, including here. You can “hear through” the textures even in the most violent tuttis, with no trace of congestion. In the finale’s “recitatives,” the divided low strings are wonderfully enveloping. The Adagio‘s airy woodwind chorales are almost tangible. …The music, guided by the conductor’s sharp ear, is…
American Record Guide Review for Beethoven Symphony No. 9
American Record Guide‘s Gil French has a thorough review of his multiple listens through Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven Symphony No. 9 recording: “the riches, most superbly tuned strings basses I have heard since Joseph Guastafeste led the Chicago Symphony’s string bass section (1961-2011) and better recorded as well! When the entire orchestra joins in [in the Finale], their phrasing reflects the words mentally engrained in anyone familiar with the text. Continue…
Audiophile Audition Gives Five Stars to Beethoven Symphony No. 9
The Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9 gets a five-star rave from Audiophile Audition: “This disc should come with a warning label. Why? Because it is easily the most intense Ninth I have ever heard. This is not a criticism, only a fact. … The wonderful last movement gives us a truly joyful and energetic flow of consolation and satisfaction, jam-packed with intensity and far, far away from the “joyful,…
HR Audio Reviews Pittsburgh Symphony’s Beethoven Symphony No. 9
HRaudio.net reviews the Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9 recording, giving it 4.5 stars for performance, and 5 stars for sonics! “the brilliance and charisma of Honeck’s conducting, his unique interpretive insights into the works he performs and the manner in which they are realised by the magnificent orchestra of which he has been Music Director for the past ten years, have resulted in each of these recordings moving effortlessly and justifiably…
Pittsburgh Symphony’s Beethoven Symphony No. 9 is a “Triumph”
Audiophile site, Dagogo, reviews the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Beethoven Symphony No. 9: “The Presto and “Ode to Joy” is among the most purveying and thrilling I’ve heard. Once again, there are goosebumps inducing, spectacular definition and contrasting dynamics, atop a precision in the performance to die for. The Adagio Third Movement opens with such majesty as to usurp the first movement Allegro, although this is also swifter in duration and…
Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9 recording is “essential”
Classical Voice North America calls Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9 an “essential” recording: “Honeck’s riveting new CD of Beethoven’s Ninth with the Pittsburgh Symphony was recorded at Heinz Hall concerts in June 2019. He introduced his swift approach to Beethoven, drawing on the composer’s metronome markings, with stunning performances of the Seventh in 2009. The recording of the Ninth benefits from the experience the orchestra had with Honeck’s interpretation at concerts…
BBC Music Magazine Gives Five Stars to Pittsburgh Symphony and Manfred Honeck’s Beethoven Symphony No. 9
The April issue of BBC Music Magazine features a Five-Star Review for the Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9: “an impressive account of this huge work that seems bent on marking itself as the unassailable definition of ‘monumental’. In terms of sound and precision, the performance is meticulous, immaculate and even. That’s not to say that Honeck doesn’t occasionally play a little loose. … Honeck choreographs the gradual build of…
Rob Cowan Recommends Manfred Honeck and Pittsburgh Symphony Beethoven No. 9
Critic Rob Cowan adds the Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9 to his “Spring Collection” of top new releases: “combining explosive climaxes with moments of deep repose. The finale is the highpoint, the angry celli and basses delivering their sermon to the minions – though note the achingly beautiful quiet flutes, oboes and clarinets at around the 2:00 mark – before ushering in the Ode to Joy theme from the…
Manfred Honeck and Pittsburgh Symphony Offer a New Go-To Beethoven Symphony No. 9
Culture Spot LA reviews Manfred Honeck and the Pittsburgh Symphony Orchestra‘s recording of Beethoven Symphony No. 9: “Getting a CD in the mail from Reference Recordings is always a little like Christmas, especially when the package contains a new release by Manfred Honeck and the Pittsburgh Symphony Orchestra. That’s because I know that there will always be an interesting and often exhilarating interpretation of whatever work(s) Honeck decides to bring the listener. … Right out…