Classical Candor‘s Karl Nehring recommends Garrick Ohlsson, Sir Donald Runnicles, and the Grand Teton Music Festival Orchestra‘s recordings of The Complete Beethoven Concertos! “warm and comfortable both in sound and performance. This is not the lean and swift sort of Beethoven playing that we have come to hear more often owing to the many “historically informed performance” and/or “original instruments” Beethoven recordings in the marketplace. Ohlsson’s playing on his Steinway sounds rich and expressive, and…
Spanish Impressions is an AllMusic November Highlight with a 4.5 Star rating for the Hermitage Piano Trio! “The Hermitage Trio’s performances are impressive. All its members are of Russian background, but the deeply lyrical mode works well in this repertory, which would seem to have gems aplenty to offer.… Another major draw is the sound from the reliably strong engineering team of Reference Recordings, here working at Skywalker Sound in California; the famed Keith Johnson had a hand in…
Fanfare Magazine’s Colin Clarke says Nadia Shpachenko’s Invasion: Music and Art for Ukraine is “Not To Be Missed”: “Spratlan’s music is viscerally exciting, a sonic representation of (understandable) anxiety via a preponderance of gesture. The performance is as good as one could imagine. It falls to Shpachenko to present Piano Suite No. 1 (2021), a somewhat Schoenbergian utterance, perhaps particularly in the initial “Capriccio.” Shpachenko truly understands, as does Spratlan, the expressive nature of dissonance,…
Gramophone Magazine’s Christian Hoskins reviews the University of Texas and Jerry Junkin’s Migration recording in the November 2022 issue: This generously filled album brings together four works by contemporary American composers either scored or adapted for wind ensemble. Adam Schoenberg’s Second Symphony is a programmatic piece inspired by his wife’s family’s migration to the United States. The first of its five movements, ‘March’, with its imposing brass statements and busy percussion, communicates the tension that…
Textura Magazine gives The University of Texas Wind Ensemble and Jerry Junkin’s Migration album a warm review: “Expertly helmed by Jerry Junkin, The University of Texas Wind Ensemble has been commissioning new music and performing world premieres for more than three decades. …Migration is very much characteristic of Schoenberg’s music and shows why he’s been twice named one of the most performed living composers by orchestras in the United States.… In [Corigliano’s] dazzling set-piece, Gunn glides…
Huntley Dent has added Nadia Shpachenko’s Invasion: Music and Art for Ukraine to Fanfare‘s “Not To Be Missed” list! “Calling upon her friend and sometime collaborator, Pulitzer Prize-winning composer Lewis Spratlan, Shpachenko commissioned Invasion, which is scored for piano and chamber ensemble. My expectations of grim, angry music were overturned by Invasion, whose three sections, lasting 12 minutes, don’t echo the stark bleakness of wartime Shostakovich, or any other war music I can think of. Instead, Spratlan…
Classical Voice North America has a new rave review for the Pittsburgh Symphony and Manfred Honeck’s recording of Brahms: Symphony No. 4 and James MacMillan: Larghetto for Orchestra: “Honeck begins Brahms’ Fourth Symphony by lingering on the upbeat, emphasizing the way the first two notes can sound like a sigh. Those two notes are immediately inverted, so goodbye temporarily to the sigh, but Honeck’s rhetorical gesture establishes a certain wistfulness characteristic of Brahms’ first two…
Wonderful four-star review for Pacific MusicWorks and Tekla Cunningham’s Stylus Phantasticus recording in AllMusic: “The composers range from fairly obscure (Giovanni de Macque) to all-but-unknown, even for people who have studied the early Baroque. Cunningham is a lively and virtuosic player who captures the daring mood and the spirit of experimentation in this radical group of works, and, as concertmaster of Pacific MusicWorks, she is able to surround herself with a continuo group quite attuned to what she…
Michael Stern and the Kansas City Symphony’s new One Movement Symphonies album left The Arts Fuse’s Jonathan Blumhofer asking for a sequel, or even a whole series: “Michael Stern’s new recording with the Kansas City Symphony (KCS) celebrates a subgenre one probably doesn’t think about all that much: the single-movement symphony. Given the rewards of this album, which showcases symphonic works by Samuel Barber, Jean Sibelius, and Alexander Scriabin, perhaps one should. … Stern and his forces…
James Manheim gives a 4.5 Star Rating to José Serebrier’s Last Tango Before Sunrise recording on AllMusic.com: “The works on the album stretch from [1957] all the way up to 2018 for the titular Last Tango Before Sunrise, but there is general stylistic consistency among them, although the sense of tonality varies. All are infused with Latin American rhythms, either the tango, as characteristic of Serebrier’s native Uruguay as it is of Argentina, or from Afro-Brazilian…
Ralph Graves reviews Michael Stern, Joyce Yang, Stephen Powell, and the Kansas City Symphony’s recording of Leshnoff: Symphony No. 3; Piano Concerto for WTJU FM: “Written for the centennial of Armistice Day, Leshnoff gives voice to those who fought. He sets excerpts from letters written to loved ones at home. They don’t talk about the glory of battle but share quiet, intimate moments in simple yet beautifully poetic language. … It’s a beautiful work, beautifully…
Gary Lemco gives a ⭐️⭐️⭐️⭐️⭐️ review to Michael Stern and the Kansas City Symphony’s One Movement Symphonies recording on Audiophile Audition: “The Kansas City Symphony brass prove especially resonant in their dark coloration… The Kansas City Symphony lushly blends the powerful [Barber] Finale, sustaining the Romantic ethos of the material, weaving all three tunes together and concluding with a jubilant, energetic thrust of youthful confidence. … The sense of improvisational freedom fused with a volcanic…
Rafael de Acha reviews Jose Serebrier’s Last Tango Before Sunrise album on his All About the Arts blog: “the album features an interesting sampling of Serebrier’s journey as a composer, leading from the dissonances of the 1957 Piano Sonata and the explorations of the conflation of sound and colors in the 1971 Colores Mágicos. In certain early compositions featured in the album Serebrier taps into his Latin American roots, seeking to return to the richness of the music…
Lynn René Bayley reviews Michael Stern and the Kansas City Symphony’s One Movement Symphonies recording on her Art Music Lounge blog: “This is exactly the kind of imaginative programming that I long to see on most symphonic CD releases… superb control of orchestral balance and textures, good phrasing… a good, solid, professional performance. … I heard many interesting details in the music that escape many a recording by more famous conductors. … an interesting album,…
Remy Franck gives four stars to the new release of José Serebrier: Last Tango Before Sunrise on Pizzicato Magazine: “The earliest work is the Piano Sonata of 1957, influenced by Latin American rhythms… and played powerfully and with verve by Nadia Shpachenko. The most recent piece is the title track Last Tango Before Sunrise from 2018, and just like the other dance movements on this CD, it offers inspiredly composed music with distinctive melodies and…
Bruckner: Symphony No. 7; Bates: Resurrexit
Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)