Archive for Review – Page 2
Blues Blast Magazine Strongly Recommends Fiona Boyes’ “Blues In My Heart”
The latest issue of Blues Blast Magazine has a strong recommendation for Fiona Boyes’s Blues in my Heart 20th Anniversary Edition recording: “Fiona Boyes truly stands out from the crowd… With a hard-to-define style that blends everything from Delta and swamp to Chicago blues and more, Fiona exploded onto the world blues scene with the original analog version of this CD, which was self-produced and released on her own label. … The twelfth album in…
American Record Guide Reviews Blessed Art Thou Among Women
American Record Guide reviews the PaTRAM Institute’s recording of Blessed Art Thou Among Women in the September/October 2020 Issue: “Depsite the common ethnicity and theme, the music covers so much ground chronologically and stylistically that the program stays interesting. … Rachmaninoff’s ‘Theotokos Ever-Vigilant’ sings out with the lush, spiritually-charged harmonies we know from his Vespers. There’s also a delicate embrace of the Sacred Feminine in ‘All of Creation Rejoices’ by Nikolai Mihailovich Danilin… I don’t…
Fanfare Reviews Pittsburgh Symphony’s Tchaikovsky & Leshnoff
Fanfare Magazine reviews Manfred Honeck and the Pittsburgh Symphony’s Tchaikovsky Symphony No. 4 & Leshnoff Double Concerto recording in the September/October 2020 issue: “Manfred Honeck has a special talent for making recordings. …A Honeck release is a documentarian’s dream. Musicologists will never have to puzzle over what he meant to achieve, as historians still do with storied conductors of the past. I wish more were like him. … Honeck’s take on the Tchaikovsky Fourth Symphony…
Florentine Opera’s “Prince of Players” is a Major Release
MusicWeb International has a second review for the Florentine Opera Company’s world premiere recording of Carlisle Floyd’s Prince of Players: “Realism is triumphant on the stage… In the role of Peg Kate Royal is exceptional, having already shown her interest in the music of Carlisle Floyd. Here she produces a beautiful sound while ably portraying the conflicts faced by her character. Keith Phares is a stalwart of new and recent American operas and his portrayal…
Opera Canada Recommends Florentine Opera’s Prince of Players
The Summer 2020 issue of Opera Canada features a major recommendation of Florentine Opera’s world premiere recording of Carlisle Floyd’s Prince of Players: “Floyd’s score is in line with the style he’s used for opera throughout his career. it’s colourful and atmospheric with considerable melodic invention and a judicious use of dissonance. … it all works well with the story and the over- all impression is of a very well crafted piece, musically and dramatically.…
San Francisco Classical Voice Features Carlisle Floyd’s Prince of Players
Jeff Kaliss has a fantastic spotlight, feature, and review in San Francisco Classical Voice for the Florentine Opera’s world premiere recording of Carlisle Floyd: Prince of Players: “Don’t ever suppose that Carlisle Floyd can’t learn and showcase new tricks, just because he’s the veteran dean of living American composers. Hearing the newly released recording (on San Francisco’s Reference Recordings) of his latest opera, completed in 2016 (when Floyd was 90), will divest you of any such assumption.…
Opera Today Reviews Carlisle Floyd’s Prince of Players
Opera Today reviews the Florentine Opera Company’s World Premiere recording of Carlisle Floyd’s Prince of Players: “gender and performance are at the heart of the art form that we call opera. If in the 21st century we are having conversations about gender and identity, then – from castrati to en travesti, from Cherubino to Cantonese opera, from Baba the Turk to Octavian – opera has relished gender fluidity since the art form was born. Floyd’s Prince of Players is…
More MusicWeb Praise for Blessed art Thou Among Women
MusicWeb International‘s John Quinn offers a second review for the PaTRAM Institute’s Blessed Art Thou Among Women recording: “With performers of such pedigree involved, I was keen to hear this latest disc on which they offer a programme of Orthodox hymns in honour of Mary, the Mother of God. … This is an excellent recital. I’ve mentioned only a few of the pieces but I would ask readers to take on trust that the items…
ArtsFuse Reviews Pittsburgh Symphony’s Tchaikovsky/Leshnoff
ArtsFuse reviews the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto for Clarinet and Bassoon: “Manfred Honeck is one of that rare breed of artist: a conductor who can draw compelling, electrifying accounts of the standard canon as if on cue. His latest release, which pairs Tchaikovsky’s Symphony no. 4 with Jonathan Leshnoff’s Double Concerto for Clarinet and Bassoon, manages this feat again. Honeck’s reading is marked by a…
Culture Spot LA Reviews Pittsburgh Tchaikovsky & Leshnoff
Culture Spot LA‘s Henry Schlinger reviews the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto for Clarinet and Bassoon: “We at Culture Spot are always thrilled to get a new release from Reference Recordings of Manfred Honeck conducting the Pittsburgh Symphony Orchestra, and the new recording of Tchaikovsky’s Symphony No. 4 is no exception. One thing we’ve come to expect from Honeck and the PSO is an…
MusicWeb International Recommends Blessed Art Thou Among Women
MusicWeb International’s Marc Rochester has given PaTRAM Institute’s Blessed Art Thou Among Women recording a Recommended distinction! “Bortnyansky’s simple but effective setting of Beneath Thy Compassion gives us a wonderful taste of a fine choir supported by a powerful profundo bass, while a resonant burst of a genuinely Russian-sounding profundo bass (sung by the rather surprisingly named Glenn Miller) opens Zheludkov’s setting of Do Not Lament Me, O Mother. Emerging from the rich, luxuriant textures of the Magnification for the…
ClassicsToday Reviews Kansas City Symphony’s Holst: The Planets; The Perfect Fool
Watch a new ClassicsToday video review with David Hurwitz of the Kansas City Symphony and Michael Stern’s Holst: The Planets; The Perfect Fool recording: See the full review on ClassicsToday.com Purchase
HR Audio Gives Five Stars to Pittsburgh Symphony’s Tchaikovsky/Leshnoff!
HR Audio‘s Graham Williams gives a ⭐️⭐️⭐️⭐️⭐️ review for the Pittsburgh Symphony and Manfred Honeck’s Tchaikovsky Symphony No. 4 & Leshnoff: Double Concerto SACD: “any new release from the award-winning team of Manfred Honeck and the Pittsburgh Symphony on the Reference Recordings label is worth investigating as, based on previous form, it is likely to yield a performance that brings new interpretive insights to even the most familiar staples of the classical repertoire. In addition,…
Limelight Magazine Says Utah’s Prokofiev Ticks Every Box
Australia’s Limelight Magazine gives a 4.5 Star review to the Utah Symphony and Thierry Fischer’s Prokofiev: Alexander Nevsky – Lieutenant Kijé Suite recording: “what a witty juxtaposition: Russia’s great medieval nationalist epic contrasted with a cheeky satire on stultifying Tsarist military bureaucracy. … All the participants acquit themselves brilliantly. In the Kijé, the orchestra conveys just the right mixture of piquancy and subversion. The soloists are a delight, especially the fat tubas and the droll sounding…
American Record Guide Reviews Hermitage Piano Trio’s Rachmaninoff
American Record Guide Editor Donald Vroon reviewed the Hermitage Piano Trio’s Rachmaninoff recording in the Fall 2019 issue. It was also one of his recordings of the year! “I have recordings of the Rachmaninoff Trio 1 that range from 12 to 16 minutes. … Our three Russians who call themselves the Hermitage Trio… take 14-1/2 minutes, and they sound Russian and romantic; they have ardor, but they are not pushy about it. This is the…