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Archive for Strauss

Manfred Honeck

Manfred Honeck Joins New Classical Tracks to Talk Strauss and Beethoven

Manfred Honeck joined YourClassical‘s New Classical Tracks® program to talk about his new recording of Beethoven: Symphony No. 3 and Strauss: Horn Concerto No. 1 with the Pittsburgh Symphony. The recording is the featured CD of the week on New Classical Tracks, which means you have a chance to win the recording! “Because I was a member of the Vienna Philharmonic as a viola player, I could watch all of the best conductors in the… 

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Pittsburgh Symphony and Manfred Honeck

Five Star Audiophile Audition Review for Pittsburgh Symphony’s Beethoven and Strauss Recording

Audiophile Audition‘s Steven Ritter gives ⭐️⭐️⭐️⭐️⭐️ to Manfred Honeck and the Pittsburgh Symphony’s Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 recording: “Soundmirror’s five omnidirectional DPA 4006 microphones have once again been perfectly placed in Pittsburgh’s Heinz Hall, with an orchestra that seems on the top of its game and a conductor who is proving one of the most thoughtful, energetic, and unique talents currently on the American scene. … Honeck, while not at… 

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Pittsburgh Symphony Orchestra 2017 European Tour

Pittsburgh Symphony’s New Beethoven and Strauss is a “Triumph”

MusicWeb International‘s Nick Barnard has a new rave review for Manfred Honeck and the Pittsburgh Symphony Orchestra’s Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 recording: “Regardless of the repertoire he records, I look forward to new discs from Manfred Honeck as being deeply considered, as insightful as they are intelligent and above all stimulating. And in his regular collaborators, the audibly inspired Pittsburgh Symphony Orchestra and the superb engineering and production team of… 

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Pittsburgh Symphony in the Gramophone Listening Room

Gramophone Magazine’s James Jolly gives praise to the

Pittsburgh Symphony Orchestra 2017 European Tour

Pittsburgh Symphony and Manfred Honeck’s “Game Changer” Eroica

Classical Music Sentinel‘s Jean-Yves Duperron reviews Manfred Honeck and the Pittsburgh Symphony Orchestra‘s recording of Beethoven: Symphony No. 3 “Eroica” & Strauss: Horn Concerto No. 1: “ Symphony No. 3, Op. 55 “Eroica” is loaded with quirks, most particularly the Scherzo, with all of its twists and turns, and constantly shifting accents. And lo and behold did I notice when reading the booklet notes that conductor Manfred Honeck points out that rhythm is one of the key factors… 

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Pittsburgh Symphony Orchestra

CultureSpot LA Reviews Pittsburgh Symphony’s Revelatory Beethoven and Strauss

Culture Spot LA‘s Henry Schlinger reviews Manfred Honeck and the Pittsburgh Symphony Orchestra‘s recording of Beethoven: Symphony No. 3 “Eroica” & Strauss: Horn Concerto No. 1: “The new release in the Pittsburgh Live! series is a revelatory performance of Beethoven’s Symphony No. 3 in E-flat major, Op. 55 by Manfred Honeck and the Pittsburgh Symphony Orchestra. … As he does with every work he performs, [Honeck] has dissected it with surgical precision to massage the… 

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Pittsburgh Symphony Orchestra 2017 European Tour

Pizzicato Gives Supersonic Distinction to Pittsburgh Symphony’s Beethoven and Strauss

Pizzicato Magazine has given its “Supersonic” badge of distinction to the Pittsburgh Symphony and Manfred Honeck‘s Beethoven: Symphony No. 3 and Strauss Horn Concerto No. 1 recording: “With an extremely inventive conducting, Manfred Honeck proves that one can still say something new in Beethoven’s Eroica, even with a modern symphony orchestra. Textually there are fascinating differences from what we are used to. The Funeral march is considered the centre of the symphony, and with Honeck… 

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Pittsburgh Post-Gazette: New Pittsburgh Symphony Recording “Grabs Your Soul”

The Pittsburgh Post-Gazette has a review for the new Pittsburgh Symphony and Manfred Honeck recording of Beethoven: Symphony No. 3 and Strauss: Horn Concerto No. 1 with a headline declaring that it “grabs your soul (rewind) and grabs it again.” “Most people have experienced musical recordings that, no matter what genre, demand to be listened to over and over again. These moments hold some sort of power over your soul; you hum and whistle them,… 

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Pittsburgh Symphony and Manfred Honeck

Shedding A New Light on Eroica

Adrian Quanjer adds a second HRAudio.net review for the new Pittsburgh Symphony Orchestra and Manfred Honeck recording of Beethoven: Symphony No. 3 “Eroica” and Strauss: Horn Concerto No. 1: “One more ‘Eroica’? Not quite. This is an exceptional account which doesn’t necessarily supplant your cherished favourites, because the reason for wanting to have it is of a completely different nature: This performance sheds an unexpected new light on probably the biggest war horse of all… 

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Five Stars for Pittsburgh Symphony’s New Beethoven and Strauss Recording

Graham Williams gives Manfred Honeck and the Pittsburgh Symphony‘s upcoming Beethoven: Symphony No. 3 and Strauss: Horn Concerto No. 1 release five stars across the board on HRAudio.net! “ Manfred Honeck’s tenure at the helm of the Pittsburgh Symphony Orchestra that began in 2008 has arguably transformed this orchestra from an already first-class one into a great one. … Thanks to the Reference Recordings Fresh! series this transformation can readily be experienced by listeners worldwide… 

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Pittsburgh Symphony and Quartet San Francisco

New Recordings From The Pittsburgh Symphony and Quartet San Francisco

Announcing TWO September 2018 Releases! Beethoven: Symphony No 3 “Eroica”; Strauss: Horn Concerto No. 1 A QSF Journey Manfred Honeck and the Pittsburgh Symphony Orchestra chart a new path forward! Reference Recordings proudly presents these two iconic works in definitive interpretations from Manfred Honeck and the Pittsburgh Symphony Orchestra, in superb audiophile sound. This hybrid SACD release was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra. Quartet San Francisco’s eclecticism… 

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Manfred Honeck

Pittsburgh Symphony’s Strauss Opera Suites wins Record of the Year!

For the second year in-a-row, The Pittsburgh Symphony and Manfred Honeck have won Opus Magazine‘s “Record of the Year” award! This year’s distinction goes to their recording of Strauss’s Elektra and Der Rosenkavalier Opera Suites: Order Now “In the Pittsburgh Symphony Orchestra’s sixth recording of the Pittsburgh live! series, conductor Manfred Honeck and Czech composer Tomáš Ille have once again joined forces (after their 2014 and 2016 collaborations on the Jenufa symphonic suite and the… 

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Manfred Honeck

Manfred Honeck’s Strauss Opera Suites Recording is Groundbreaking!

Order Now “This is a groundbreaking recording—and a wonderful one!…Manfred Honeck himself catalysed the effort, in collaboration with Czech composer Tomás Ille. … Strauss pushes the borders of harmony in Elektra and employs a complex orchestra of 110, larger than most of his tone poems. … Honeck has marginally rescored it down to the merely mammoth forces customarily used in Strauss’s tone poems. Most importantly, he has woven the punchy, mercurial, polyphonic score into a… 

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Strauss Opera Suites a Showcase for Pittsburgh Symphony

Gramophone Magazine features the new Pittsburgh Symphony Orchestra and Manfred Honeck Strauss: Elektra/Rosenkavaalier recording in the January 2017 issue: The recording packs a mighty punch from the initial Agamemnon motif, scything brass braying Elektra’s revenge theme. There is percussive glitter for Klytemnestra, whip cracks marking the arrival of her entourage. The full barbarism of Strauss’s score makes a searing impact, Orest’s murder of Klytemnestra especially brutal, yet there are moments of great tenderness too. Reference… 

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Pittsburgh Symphony Strauss: Elektra/Rosenkavalier

Pittsburgh Symphony on Forbes’ Best Recordings List!

Forbes has released their 10 Best Classical Recordings of 2016 list and the Pittsburgh Symphony and Manfred Honeck Strauss: Elektra/Rosenkavalier recording comes in at #8: “Manfred Honeck’s ‘Elektra Symphonic Drama’ (co-written by Manfred Honeck and Tomáš Ille) absolutely lifts the lid and shows you how much sensuous and sumptuous music there’s in this opera already, which otherwise looks and sounds, on experiencing in toto or in the opera house, so very, very – indeed totally… 

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