Archive for Thierry Fischer – Page 3
Utah Symphony At Carnegie Hall – TONIGHT!
TONIGHT — The Utah Symphony Returns to Carnegie Hall! Utah Symphony with Thierry Fischer, Andrew Norman, and Colin Currie The Utah Symphony, which opened Carnegie Hall’s 75th anniversary season, returns with Music Director Thierry Fischer to celebrate its own 75th anniversary. Colin Currie performs the New York premiere of Andrew Norman’s Switch on a program that opens with Haydn’s cheerful Symphony No. 96, “The Miracle.” The night closes with a performance of selections from Prokofiev’s…
Dawn To Dust a “gratifying” recording
“Dawn to Dust shows the broad diversity among contemporary American composers and presents a wide range of styles and quality of work. And each is played with fervor and passion. Nico Muhly’s Control…is distinctively American and calls to mind Aaron Copland’s Western inspired works. Andrew Norman’s Switch… is a tour de force piece that puts the virtuosity of both the soloist and orchestra on full display. It’s a fabulously dynamic piece that takes the listener…
Dawn To Dust is Second Inversion’s Album of the Week!
“Utah Symphony and Thierry Fischer present an immaculately conceived performance of works by three of our most prominent composers of the moment: Augusta Read Thomas, Nico Muhly, and Andrew Norman. … Utah Symphony really wows in Augusta’s music: the way challenging runs pass through the entire orchestra with perfect precision and ensemble is truly something for the ears to behold… [Control is] a fascinating work, such a far evolution from Muhly’s earlier minimalist-influenced textures, although…
Salt Lake Underground Says Dawn To Dust is for Everyone!
Salt Lake City Underground (SLUG) Magazine says it’s not just classical fans who will enjoy Utah Symphony’s new Dawn To Dust recording: “Thierry Fischer, music director of the Utah Symphony, has once again taken the symphony to new heights. Their latest album features music that goes in so many different directions that after the first listen, I understood why so many have an emotional reaction to classical music. Dawn to Dust is an epic, filled…
Utah Symphony: Dawn To Dust — Now Available!
Dawn To Dust World Premieres of Three Works Commissioned by the Utah Symphony Utah Symphony Thierry Fischer, Music Director DAWN TO DUST contains live recordings of three significant and adventurous works by leading composers Augusta Read Thomas, Nico Muhly, and Andrew Norman. World-renowned percussionist Colin Currie performs on Andrew Norman’s “Switch.” The Utah Symphony, celebrating its 75th anniversary in the 2015-16 season, is one of America’s major symphony orchestras and a leading cultural organization in…
HRAudio.net Reviews Dawn To Dust!
Graham Williams gives five stars across the board for Utah Symphony’s new Dawn To Dust recording! “The programme opens with ‘Eos (Goddess of the Dawn)’ by Augusta Read Thomas (b.1964) whose command of a wide ranging orchestral palette is breathtaking. … The music is full of ravishing orchestral sonorities, the subtle use of glittering percussion and writing for winds being immediately striking, whilst the almost Mahlerian string passages in the fourth section ‘Dreams and Memories’…
A First Listen to Utah Symphony’s “Dawn To Dust”
Dawn To Dust World Premieres of Three Works Commissioned by the Utah Symphony Utah Symphony Thierry Fischer, Music Director Pre-Order on Amazon Today First Listen: DAWN TO DUST contains live recordings of three significant and adventurous works by leading composers Augusta Read Thomas, Nico Muhly, and Andrew Norman. World-renowned percussionist Colin Currie performs on Andrew Norman’s “Switch.” The Utah Symphony, celebrating its 75th anniversary in the 2015-16 season, is one of America’s major symphony orchestras…
Utah Symphony’s Mahler is “Something Special”
Dave Billinge has a new review for the Utah Symphony and Thierry Fischer’s Mahler: Symphony No. 1 “Titan” recording on MusicWeb International: “It is tempting to dismiss yet another Mahler First entering a crowded market as simply not needed. In this case it would be a mistake because this does offer something special… these players respond with as rhythmically vital a performance as you could wish to hear. … I have one small but significant…
ClassicsToday Enjoys Utah Symphony’s Mahler Symphony No. 1
ClassicsToday editor David Hurwitz reviews the Utah Symphony’s new Mahler: Symphony No. 1 recording: “Under Music Director Thierry Fischer, it’s clear that orchestral standards are considerably higher today … just as this SACD reflects improvements in engineering since the 1960s. Fischer leads a singularly appealing performance of this perennially fresh and engaging music. The first movement builds inexorably, the tempo accelerating steadily through the exciting final pages exactly as Mahler requests. Indeed, Fischer’s control of…
Utah Symphony Mahler in the Washington Post
The Washington Post‘s tom Huizenga reviews the Utah Symphony’s Mahler: Symphony No. 1 “Titan” recording: “In Fischer’s hands, Mahler is well-balanced… the orchestra can be proud of this performance, with its brisk tempos and transparency in recorded sound. Winds are particularly expressive in the opening movement, where nature awakens in a haze of ethereal strings and chirps from oboes and clarinets before picking up the jaunty melody to one of Mahler’s own songs. … This…
Classical CD Choice Reviews Utah Symphony’s Mahler: Symphony No. 1
The Utah Symphony’s Mahler: Symphony No. 1 recording gets a rave review from Graham Williams on Classical CD Choice: “Now, from the Reference Recordings Fresh! Label, we have a compelling new account of Mahler’s 1st Symphony recorded in state-of-the-art sound from this same orchestra under their current Music Director, the Swiss conductor Thierry Fischer.… The magical opening pages of the first movement are beautifully controlled with the off-stage trumpets suitably distanced yet absolutely audible. The…
The Arts Desk Reviews the Utah Symphony’s Mahler Symphony No. 1
The Arts Desk critic Graham Rickson has a new review of Thierry Fischer and the Utah Symphony’s Mahler: Symphony No. 1 recording: “Wonderfully played too, by an orchestra many won’t have heard of, under a conductor usually associated with French repertoire. Readers with long memories may remember a pioneering 1960s and 1970s Mahler cycle recorded by the Utah Symphony under Maurice Abravanel, frustratingly difficult to find now. Abravanel’s zeal compensated for the occasional lapses in…
True Concord Voices and Orchestra and the Utah Symphony in Gramophone Magazine!
Utah Symphony’s Mahler Symphony No. 1 and True Concord Voices and Orchestra’s Far In the Heavens both get Gramophone Magazine features in the October 2015 issue! Far In The Heavens “… abundantly lyric, soothingly consonant works…True Concord’s…vocal blend gilds the unaccompanied works especially with a halo of resonance.” —Alexander Coghlan Order & Listen Now: ReferenceRecordings.comAmazonArkivMusicApple MusicSpotify Mahler: Symphony No. 1 “…the orchestra acquits itself with distinction. The opening dawn chorus is notable for its hushed…