Two Utah Symphony and Thierry Fischer Mahler Symphony reviews on the family-focused website InfoDad:
Mahler Symphony No. 8
“Because of the unique sonic quality of Mahler’s music, the exceptional importance of getting both the quiet passages and the huge, noisy and sometimes deliberately crude ones right, the recording quality of Mahler performances is exceptionally important, most definitely so in the case of his Eighth, the “Symphony of a Thousand,” which really does require something close to that number of performers. This symphony is ideally suited for the superb recording techniques that are always in evidence on Reference Recordings releases, and the new two-disc set featuring a live 2016 performance directed by Thierry Fischer is an exemplary case of recording quality wedded to music that begs to be treated with the extraordinary aural care it receives here. … The soloists are uniformly fine… The young singers of the Madeleine Choir School handle their parts well, and the Mormon Tabernacle Choir…here sounds committed, strong and sensitive.…”
Mahler Symphony No. 1
“Mahler’s Symphony No. 1, in the four-movement version in which it is almost always heard, is far more straightforward in approach despite its many innovative features and felicities of expression. Super-high-quality sound is less an absolute necessity for the effectiveness of this symphony than for that of the Eighth, but the Reference Recordings SACD showcasing the interpretation by the same orchestral forces as in the Eighth – Thierry Fischer and the Utah Symphony – nevertheless possesses the best possible sonic presentation, and it does make a difference in the impact of this brash, noisy and highly effective youthful work.… ”
See the full reviews on InfoDad