MusicWeb International has published a second review of the Pittsburgh Symphony and Manfred Honeck’s GRAMMY-nominated Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 recording:
“In this Heinz Hall, Pittsburgh recording, it’s evident that Manfred Honeck entirely acknowledges that this progressive score is music of extensive concentration, intensity and, as the designation might suggest, heroic power. Bold and focused, naturally flowing and stimulating with an undertow of mystery in the Allegro, this performance from the Pittsburgh players seems to convey Beethoven’s sense of defiance in the face of adversity. Underpinned by the rich low strings, the angst-ridden and world-weary tread given to the renowned Marche funèbre is both resolute and entirely respectful. Impressive is Honeck’s stark underlining of the recurrent divergence of dark and light. With power and exuberance, a character of unbridled joy imbues the Scherzo, with some arresting playing from the horns. With striking immediacy in the Finale, it feels as if the spirit of life has broken free with Honeck providing swirling and dramatic power. This results in an impact that is both compelling and uplifting. … In the opening Allegro, the assured playing of Caballero seems to underline the substantial heroic character of the writing. In the enchanting Andante, written in the manner of a Romanza, the soloist’s expressive capabilities shine through, together with the most beautiful tone in the impressively long held notes and phrases. Noticeable in the Finale: Allegro a Scherzo, which requires considerable virtuosity, is Caballero’s rock-solid technique and unerring musicianship. Honeck’s gratifying orchestral accompaniment is hard to fault. William Caballero is in sterling form, giving an extremely enjoyable and stylish performance. It would be remiss not to mention how outstandingly the sound engineers have captured the rich tone of the horn. This outstanding new Caballero recording is one I will revisit again and again. … On Reference Recordings, the Beethoven and the Strauss works were recorded and mastered live at Heinz Hall, Pittsburgh five years apart by the Soundmirror team, both with impressive results. Played on my standard unit the sound quality of this multi-channel hybrid SACD release is first-rate, having vivid clarity, depth and satisfying balance. Manfred Honeck has provided the admirable booklet essay containing substantial information, which includes a short interview with horn player William Caballero. Under Manfred Honeck, with this album of Beethoven’s ‘Eroica’ Symphony and Richard Strauss’ First Horn Concerto the Pittsburgh Live! series continues to pay considerable dividends.”
Michael Cookson, MusicWeb International