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Archive for The New York Times

Pittsburgh Symphony Orchestra

Bruckner: Symphony No. 7 & Bates Resurrexit in The New York Times

The New York Times‘ “5 Classical Music Albums You Can Listen to Right Now” column features Manfred Honeck and the Pittsburgh Symphony Orchestra’s Bruckner: Symphony No. 7 & Bates Resurrexit recording: “simply excellent… the effect in practice is magical… Even more than in his terrifying account of the Bruckner’s Ninth, you get the sense that he holds the composer in awe. And it’s difficult not to feel a similar reverence for the players of the Pittsburgh… 

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Manfred Honeck in Chair

Pittsburgh Symphony’s Tchaikovsky Symphony No. 5 and Schulhoff Five Pieces is a New York Times Pick!

The New York Times published “5 Classical Music Albums You Can Listen to Right Now” featuring a selection of the New York Times Classical Critics’ favorite new releases and David Allen has an absolute RAVE review for Manfred Honeck and the Pittsburgh Symphony’s Tchaikovsky Symphony No. 5 and Schulhoff Five Pieces recording: “make no mistake, it is a masterpiece, a dark psychological thriller that soars and scars and ends up being rather unnerving. Drawing on Tchaikovsky’s sketches… 

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Manfred Honeck

New York Times Names Pittsburgh Symphony’s Brahms And MacMillan as a Must Hear

The New York Times has just published a list of “Five Classical Albums to Hear Right Now” and number one on the list is the Pittsburgh Symphony Orchestra and Manfred Honeck’s Brahms: Symphony No. 4 and MacMillan: Larghetto for Orchestra! “these forces have been setting new standards in the standards, their records combining astonishing playing… Right on cue, their new album offers James MacMillan’s gnarly-to-seraphic Larghetto for Orchestra, atmospherically adapted from his choral “Miserere” for its premiere in… 

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Beethoven 9 recording concert: Manfred Honeck, Christina Landshamer, Jennifer Johnson Cano, Werner Güra, Shenyang, Matthew Mehaffey © Pittsburgh Symphony Orchestra

Manfred Honeck Discusses Beethoven Symphony No. 9 with The New York Times

Don’t miss this incredible look at Beethoven’s Symphony No. 9 with Manfred Honeck and New York Times critic David Allen! See it on nytimes.com “Manfred Honeck is one of today’s leading Beethoven conductors. As music director of the Pittsburgh Symphony Orchestra, he has created notably exciting recordings of the Third, Fifth and Seventh Symphonies. Now he and the orchestra, founded 125 years ago this month, are releasing their interpretation of the mighty Ninth. What makes Honeck’s approach so… 

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Pittsburgh Symphony Orchestra

The New York Times Profiles Manfred Honeck and the Pittsburgh Live Series

The Pittsburgh Symphony and Manfred Honeck perform at Lincoln Center on May 19, and the New York Times is previewing the performance with an in-depth look at their Pittsburgh Live! recording series! “Good barely covers it. All eight of the releases that the Pittsburgh forces have brought out on Reference Recordings, with the aid of microphone whizzes from Soundmirror, come with the highest of recommendations.… Four have received nominations for the Grammy for best orchestral performance. One,… 

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Pittsburgh Symphony’s Beethoven A New York Times Best Track of 2018

The New York Times has released its “25 Best Classical Music Tracks of 2018” and the GRAMMY-nominated Pittsburgh Symphony Orchestra and Manfred Honeck recording of Beethoven’s “Funeral March” from Symphony No. 3 made the list! “The most interesting and innovative Beethoven recording since these forces set down the Fifth and Seventh, this intense “Eroica” nods in the direction of tradition but sounds completely new, rethought from the ground up.” —David Allen, The New York Times See the… 

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New York Times Reviews Utah Symphony at Carnegie Hall!

The New York Times reviews the Utah Symphony’s Friday night performance and the “Switch” New York Premiere at Carnegie Hall! “The inspired players excelled in an ambitious program that featured the New York premiere of Andrew Norman’s ‘Switch,’ one of several recent Utah Symphony commissions. … ‘Switch’ explores nonlinear, narrative-scrambling techniques borrowed from video games. His restless music gurgles and explodes in often fragmented phrases, leaping breathlessly from one thing to another. ‘Switch’ actually begins… 

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Utah Symphony At Carnegie Hall – TONIGHT!

TONIGHT — The Utah Symphony Returns to Carnegie Hall! Utah Symphony with Thierry Fischer, Andrew Norman, and Colin Currie The Utah Symphony, which opened Carnegie Hall’s 75th anniversary season, returns with Music Director Thierry Fischer to celebrate its own 75th anniversary. Colin Currie performs the New York premiere of Andrew Norman’s Switch on a program that opens with Haydn’s cheerful Symphony No. 96, “The Miracle.” The night closes with a performance of selections from Prokofiev’s… 

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Pittsburgh Symphony in the New York Times Classical Playlist

The New York Times critic David Allen adds the Pittsburgh Symphony and Manfred Honeck’s Beethoven: Symphony Nos. 5 & 7 to the Arts Beat Classical Playlist: “Ninety seconds is all it takes to understand that Manfred Honeck’s is no sanitized Beethoven: the plethora of colorations, articulations and moods through which he forces the Fifth’s famous motto sees to that. Every phrase, every balance has been thought through in interventionist readings that are idiosyncratic but fully… 

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Utah Symphony Mahler in the New York Times!

The Utah Symphony’s September release of Mahler: Symphony No. 1 “Titan” gets a feature in the New York Times Classical Playlist: “A cycle of Mahler symphonies was a nice way for the Swiss conductor Thierry Fischer, 57, who took over the Utah Symphony in 2009, to celebrate both its 75th anniversary (in 2015) and the memory of Maurice Abravanel, the orchestra’s great music director from 1947 to 1979.” —James R. Oestreich, New York Times Mahler:… 

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Pittsburgh Symphony Dvořák & Janáček Gets New York Times Feature

The New York Times “Classical Playlist” features the Manfred Honeck and the Pittsburgh Symphony’s Dvořák & Janáček recording: “Manfred Honeck and the Pittsburgh Symphony Orchestra have quietly become one of the country’s hottest partnerships in repertory staples, thereby invigorating and legitimizing the very idea of a canon. Mr. Honeck’s trademark flexible tempos, along with the spectacularly refined playing he draws, enliven this Dvorak war horse. A suite from Janacek’s “Jenufa,” conceived by Mr. Honeck and… 

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