Steven Ritter gives four stars to San Francisco Ballet Orchestra’s recording of Lowell Liebermann: Frankenstein in Audiophile Audition: “The San Francisco Ballet Orchestra plays wonderfully with great tone, exemplary dynamic range and a genuine sensitivity to the changes in color and emotion found in this work, which are considerable. The recording is superb—everything is captured on the broadest of sound stages with great depth and presence. Musically, the piece is extraordinary, tuneful, full of expression,…
Audiophile Audition‘s Gary Lemco has published a five-star review for Manfred Honeck and Pittsburgh Symphony’s GRAMMY®-nominated Beethoven: Symphony No. 9 recording: “This performance does indeed balance its multifarious adjustments to Beethoven’s dynamic requirements with a spacious warmth in the realization that does not suffer lags and sags in the musical line. … We should acknowledge immediately the contribution of acting principal timpanist Christopher Allen in the Scherzo, given the constant immediacy of his presence. This often wild…
Audiophile Audition critic Steven Ritter gives a five-star review to Manfred Honeck and the Pittsburgh Symphony Orchestra’s Brahms: Symphony No. 4; MacMillan: Larghetto for Orchestra recording: “Certainly, the last movement of the Fourth Symphony is the orchestral pinnacle of the age in relation to the variation form. … It is this last movement to which the entire symphony is directed, and its success depends on how well the previous movements are balanced. … Many conductors…
Tekla Cunningham and Pacific MusicWorks’ Stylus Phantasticus recording gets a wonderful new review in Audiophile Audition from critic Fritz Balwit: “The ensemble features both baroque guitar and chitarrone of the leader Stephen Stubbs and the rare and remarkable baroque harp of Maxine Eilander. Both together and separately these delicate instruments are very nicely captured. More than anything else on this recording they bathe the ear in a new sonority within the baroque style. Those instruments blend…
Gary Lemco gives a ⭐️⭐️⭐️⭐️⭐️ review to Michael Stern and the Kansas City Symphony’s One Movement Symphonies recording on Audiophile Audition: “The Kansas City Symphony brass prove especially resonant in their dark coloration… The Kansas City Symphony lushly blends the powerful [Barber] Finale, sustaining the Romantic ethos of the material, weaving all three tunes together and concluding with a jubilant, energetic thrust of youthful confidence. … The sense of improvisational freedom fused with a volcanic…
The Pittsburgh Symphony and Manfred Honeck’s recording of Beethoven Symphony No. 9 gets a five-star rave from Audiophile Audition: “This disc should come with a warning label. Why? Because it is easily the most intense Ninth I have ever heard. This is not a criticism, only a fact. … The wonderful last movement gives us a truly joyful and energetic flow of consolation and satisfaction, jam-packed with intensity and far, far away from the “joyful,…
Audiophile Audition gives ⭐️⭐️⭐️⭐️⭐️ to the Pittsburgh Symphony Orchestra and Manfred Honeck’s recording of Tchaikovsky: Symphony No. 4 and Leshnoff: Double Concerto: “any new recording needs to have something different going for it, as there have been so many fabulous offerings over the last 60 years. I am pleased to report—and this is hardly new—that the Pittsburghians have accomplished just that. … Honeck, always at pains to justify his interpretative schema, does just that again…
Audiophile Audition gives five stars to Michael Stern and the Kansas City Symphony’s Holst: The Planets; The Perfect Fool! “The soundstage is magnificent—very wide, and perhaps the deepest recording I have ever heard.… I felt as though I was really hearing the orchestra in its natural estate, and when the oboe solos, it sounds as if it is more distant in the ensemble. Time and time again, the distance factor figured into the listening experience in…
Audiophile Audition critic Steven Ritter gives a Four-Star Review to the Richmond Symphony and Chorus and Steven Smith’s Mason Bates: Children of Adam; Vaughan Williams: Dona Nobis Pacem recording: “Bates shows a fine grasp of the orchestral idiom, and even more importantly, the choral, with an integrated and highly individual sound that transfers from text to text in a seamlessly smooth manner. Hearing this makes me want to hear more from this young composer, who…
“Organist Jan Kraybill is up to the task of performing these transcriptions. She is a musical leader, performer, educator, organ consultant, and enthusiastic advocate for the power of music to change lives for the better… I listened to the 5.1 rendering of these tracks and the sound was thrilling. The organ is big and brawny, the performances are precise and committed, and Reference Recording has done their usual audiophile magic. The lower pipes of the…
Audiophile Audition gives four stars to Quartet San Francisco’s new recording, A QSF Journey: “…is this stuff on this recording any good? The answer is a resounding “yes”. This is not Beethoven or Bartok, so don’t expect that. It is entertainment, though at a very high level, and the music itself is ingratiating and relaxing, the latter in the sense of pleasurable, not sleep-inducing. We get a wide variety of compositions and arrangements, from Gershwin…
Audiophile Audition‘s Steven Ritter gives ⭐️⭐️⭐️⭐️⭐️ to Manfred Honeck and the Pittsburgh Symphony’s Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 recording: “Soundmirror’s five omnidirectional DPA 4006 microphones have once again been perfectly placed in Pittsburgh’s Heinz Hall, with an orchestra that seems on the top of its game and a conductor who is proving one of the most thoughtful, energetic, and unique talents currently on the American scene. … Honeck, while not at…
Order Now Audiophile Audition gives ⭐️⭐️⭐️⭐️ for “American music by [Adam] Schoenberg wonderfully recorded and performed” by the Kansas City Symphony! “[Adam] Schoenberg has had a productive relationship with the Kansas City Symphony and conductor Michael Stern, so the disc contains some early works by Schoenberg and a work commissioned by the KCS. Schoenberg’s works are increasingly being played by American Symphony Orchestras. He has a unique voice, and audiences seem to be connecting to…
“These are memorable and melodious orchestral compositions which, especially in their full orchestra versions, seem much more than mere salon pieces from the 19th century. The opening Torch Dance is based on a tradition at some German weddings in a certain area of a dance with torches featured. The From Foreign Lands is a nearly half-hour suite which has been a San Francisco Ballet performance. This ballet orchestra is one of the leading ones in…
Audiophile Audition names the Florentine Opera Company’s Wuthering Heights recording their Multichannel Disc of the Month in a five-star review: “Floyd, now 90 and still writing operas (!), served as artistic advisor for this Florentine Opera premiere recording, made in January 2015 at the Sharon Lynne Wilson Center for the Arts, in Brookfield, Wisconsin. It is superb in every way, from Reference’s magnificent sonic capture to the excellence of all members of the cast. Florentine…